John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 81
... mesostic . The texts for many of these stories may be found in Cage's first two books , A Year from Monday ( 1967 ) and Silence . In the latter they appear not only in the chapter marked " Indetermina- cy " but scattered throughout its ...
... mesostic . The texts for many of these stories may be found in Cage's first two books , A Year from Monday ( 1967 ) and Silence . In the latter they appear not only in the chapter marked " Indetermina- cy " but scattered throughout its ...
Seite 116
... mesostic . Whereas the familiar acrostic has a word running down the left - hand margin of several lines , the mesostic has a recogniz- able word running down the middle . In Cagean practice , this vertical word is usually the name of a ...
... mesostic . Whereas the familiar acrostic has a word running down the left - hand margin of several lines , the mesostic has a recogniz- able word running down the middle . In Cagean practice , this vertical word is usually the name of a ...
Seite 147
... mesostic . Whereas an acrostic is com- posed horizontally from a key word extending down the left margin , a mesostic situates the axis word in the middle . He spoke of his results as " poetry ” because they cannot be classi- fied ...
... mesostic . Whereas an acrostic is com- posed horizontally from a key word extending down the left margin , a mesostic situates the axis word in the middle . He spoke of his results as " poetry ” because they cannot be classi- fied ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York