John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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... music , theater , literature , and visual art . As a de facto esthetician , he had a discernible influence upon the ... musical scoring , idiosyncratically structured theatrical events , and unique literary forms . Perhaps because Cage ...
... music , theater , literature , and visual art . As a de facto esthetician , he had a discernible influence upon the ... musical scoring , idiosyncratically structured theatrical events , and unique literary forms . Perhaps because Cage ...
Seite 86
... music , this instruction eventually implied , by analogy , that " theater " could be said to exist as soon as the perceiver's mind wished to define it . “ Theater takes place all the time , wherever one is , ” Cage wrote in Silence ...
... music , this instruction eventually implied , by analogy , that " theater " could be said to exist as soon as the perceiver's mind wished to define it . “ Theater takes place all the time , wherever one is , ” Cage wrote in Silence ...
Seite 94
... theater as indetermi- nate music : Radio Music ( 1956 ) " for one to eight performers , each at one radio " ; Music for Amplified Toy Pianos ( 1960 ) ; Rozart Mix ( 1965 ) for twelve tape machines , several perform- ers , one conductor ...
... theater as indetermi- nate music : Radio Music ( 1956 ) " for one to eight performers , each at one radio " ; Music for Amplified Toy Pianos ( 1960 ) ; Rozart Mix ( 1965 ) for twelve tape machines , several perform- ers , one conductor ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York