John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 52
... percussion instruments , suitable for the dance by Syvilla Fort for which it was composed . " Cage at the time had been collecting an arsenal of percussion instru- ments , so that his doctoring of the piano , usually by inserting bolts ...
... percussion instruments , suitable for the dance by Syvilla Fort for which it was composed . " Cage at the time had been collecting an arsenal of percussion instru- ments , so that his doctoring of the piano , usually by inserting bolts ...
Seite 58
... percussion instru- ments ; but when I got there I discovered that there was a radio station in connection with the school , like a big outhouse . The same building is still there , though now it's used , I think , for pottery . But then ...
... percussion instru- ments ; but when I got there I discovered that there was a radio station in connection with the school , like a big outhouse . The same building is still there , though now it's used , I think , for pottery . But then ...
Seite 183
... percussion pieces 1940 1941 Moves to Chicago 1942 1943 1944 Moves to New York ; music for Credo in Us ( dance by Cunningham ) Percussion Ensemble concert at Museum of Modern Art Invention of the Vocoder , first electronic instrument to ...
... percussion pieces 1940 1941 Moves to Chicago 1942 1943 1944 Moves to New York ; music for Credo in Us ( dance by Cunningham ) Percussion Ensemble concert at Museum of Modern Art Invention of the Vocoder , first electronic instrument to ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York