John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 22
... performance , which are closer to inspired play than hard - nosed work , as harbingers of the new age . His later writings seemed explorations in interdis- ciplinary thought , much as his later performance pieces are explorations in ...
... performance , which are closer to inspired play than hard - nosed work , as harbingers of the new age . His later writings seemed explorations in interdis- ciplinary thought , much as his later performance pieces are explorations in ...
Seite 135
... performance is this further explanation : " A computer program , compiled by chance operations , controls the lighting process . It only makes use of the black - and - white range [ except for two passages of color ] to avoid any ...
... performance is this further explanation : " A computer program , compiled by chance operations , controls the lighting process . It only makes use of the black - and - white range [ except for two passages of color ] to avoid any ...
Seite 176
... performance of Indeterminacy has been reissued as Smithsonian - Folkways CDs ( SF 40804-5 ) . HPSCHD appeared only as a Nonesuch record ( H- 71224 ) , along with an ingenious instruction sheet for varying the performance on one's home ...
... performance of Indeterminacy has been reissued as Smithsonian - Folkways CDs ( SF 40804-5 ) . HPSCHD appeared only as a Nonesuch record ( H- 71224 ) , along with an ingenious instruction sheet for varying the performance on one's home ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York