John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 41
... politics were expressed in decisions not of content but of form . For instance , one quality of HPSCHD , as well as many other works of his for large ensembles , is that they do not need a conductor . By extension , Cage was implying ...
... politics were expressed in decisions not of content but of form . For instance , one quality of HPSCHD , as well as many other works of his for large ensembles , is that they do not need a conductor . By extension , Cage was implying ...
Seite 43
... politics . His art , as I noted before , has always displayed the anarchist characteris- tics I'm defining here . I would judge that one reason for his confidence late in life , in politics as well as esthetics , is that he knew from ...
... politics . His art , as I noted before , has always displayed the anarchist characteris- tics I'm defining here . I would judge that one reason for his confidence late in life , in politics as well as esthetics , is that he knew from ...
Seite 102
... politics but political itself : " As an anarchist , I aim to get rid of politics . I would prefer to drop the question of power , whether black power , flower power , or student power . Only by looking out the back window , as McLuhan ...
... politics but political itself : " As an anarchist , I aim to get rid of politics . I would prefer to drop the question of power , whether black power , flower power , or student power . Only by looking out the back window , as McLuhan ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York