John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 29
... possible actions before tossing dice to determine theoretically possible combinations that he might be reluctant to try on his own initiative . As exploration rather than , say , refinement has been their mutual ideal , Cunningham then ...
... possible actions before tossing dice to determine theoretically possible combinations that he might be reluctant to try on his own initiative . As exploration rather than , say , refinement has been their mutual ideal , Cunningham then ...
Seite 38
... possible result of playing all ( or even half or some ) of those tapes togeth- er could be microtonal din , which is precisely consonant with Cagean esthetics . As the result of purposeful purposelessness , not purposeless ...
... possible result of playing all ( or even half or some ) of those tapes togeth- er could be microtonal din , which is precisely consonant with Cagean esthetics . As the result of purposeful purposelessness , not purposeless ...
Seite 55
... possible concert with other instruments . ) The success of the Sonatas and Interludes partly accounts for why , in the following year , 1949 , Cage received his first major awards : not only a Guggenheim Fellowship but a grant from the ...
... possible concert with other instruments . ) The success of the Sonatas and Interludes partly accounts for why , in the following year , 1949 , Cage received his first major awards : not only a Guggenheim Fellowship but a grant from the ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York