John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 15
... prose and poetry , though closer to the latter . " Poetry is not prose , " he once wrote , " not by reason of its content or ambiguity but by reason of its allowing musical elements ( time , sound ) to be introduced into the world of ...
... prose and poetry , though closer to the latter . " Poetry is not prose , " he once wrote , " not by reason of its content or ambiguity but by reason of its allowing musical elements ( time , sound ) to be introduced into the world of ...
Seite 90
... prose pieces collected in A Year from Mon- day deal with varieties of coherence in intentionally unstruc- tured ( orderly disordered ) prose ; and , even though Cage is more imaginative than most authors , including many of those who ...
... prose pieces collected in A Year from Mon- day deal with varieties of coherence in intentionally unstruc- tured ( orderly disordered ) prose ; and , even though Cage is more imaginative than most authors , including many of those who ...
Seite 146
... prose runs continuously along the bottom of each page , as a kind of small- er - type counterpoint that is four lines high and six and a half inches wide , with the unidentified questioners speaking in an italic typeface and Cage ...
... prose runs continuously along the bottom of each page , as a kind of small- er - type counterpoint that is four lines high and six and a half inches wide , with the unidentified questioners speaking in an italic typeface and Cage ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York