John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 7
... radical minds of his age . At the core of his originality was a continual penchant for taking positions not only far in advance of established artistic practice , including often his own activity , but also beyond the imaginative ...
... radical minds of his age . At the core of his originality was a continual penchant for taking positions not only far in advance of established artistic practice , including often his own activity , but also beyond the imaginative ...
Seite 84
... radical artistic idea that Cage pushed beyond its pre- vious provinces is the work of art as primarily an esthetic illus- tration . The illustrative point of 4′33 ′′ ( 1952 ) is that all the unintentional , random sounds framed within ...
... radical artistic idea that Cage pushed beyond its pre- vious provinces is the work of art as primarily an esthetic illus- tration . The illustrative point of 4′33 ′′ ( 1952 ) is that all the unintentional , random sounds framed within ...
Seite 92
... radical antitheses have stimulated others to produce their own syntheses . Sometimes Cage created radical antitheses for himself to synthesize — by acting in an extreme way , perhaps with a spe- cial kind of irony , an artist can force ...
... radical antitheses have stimulated others to produce their own syntheses . Sometimes Cage created radical antitheses for himself to synthesize — by acting in an extreme way , perhaps with a spe- cial kind of irony , an artist can force ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York