John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 135
... ( singers , composers , stage sets , animals , etc. ) and had them enlarged and painted , only in black - and - white , for the flats . These flats were to be mechanically brought onstage from left or right or above with an arbitrariness ...
... ( singers , composers , stage sets , animals , etc. ) and had them enlarged and painted , only in black - and - white , for the flats . These flats were to be mechanically brought onstage from left or right or above with an arbitrariness ...
Seite 136
... singer was stretched out from his normal height to twelve feet , a super attached the cables that executed the illusion ... singers and be forty - five min- utes long . The book - length score must be seen to be believed . After Cage's ...
... singer was stretched out from his normal height to twelve feet , a super attached the cables that executed the illusion ... singers and be forty - five min- utes long . The book - length score must be seen to be believed . After Cage's ...
Seite 137
... singers won't fall down or something . And what would be the maximum lighting . Then to play between those , with what must be very good technology now . And that won't be too difficult . I'm disconnecting not only the lighting from the ...
... singers won't fall down or something . And what would be the maximum lighting . Then to play between those , with what must be very good technology now . And that won't be too difficult . I'm disconnecting not only the lighting from the ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York