John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 36
... space , full of activi- ties that have neither a definite beginning nor a definite end . Indeed , the only feasible way to begin HPSCHD is to turn it on , as one might a switch , and the only way to conclude it , in this age of ...
... space , full of activi- ties that have neither a definite beginning nor a definite end . Indeed , the only feasible way to begin HPSCHD is to turn it on , as one might a switch , and the only way to conclude it , in this age of ...
Seite 68
... space that they should be in time . However , this is written in a space which changes with accelerandos and ritards ; so that it's at the cross between con- ventional notation and proportional notation . The Music of Changes [ 1951 ] ...
... space that they should be in time . However , this is written in a space which changes with accelerandos and ritards ; so that it's at the cross between con- ventional notation and proportional notation . The Music of Changes [ 1951 ] ...
Seite 104
... space . In this respect , HPSCHD extends Cage's continuing interest in filling huge spaces with a lifelike chaos of sounds and sights , or building an artful uni- verse within the larger world . Here , as before , Cage preferred ...
... space . In this respect , HPSCHD extends Cage's continuing interest in filling huge spaces with a lifelike chaos of sounds and sights , or building an artful uni- verse within the larger world . Here , as before , Cage preferred ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York