John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 80
... stories assume that all will turn out well in the end . The acoustic innovation is the one - minute story , declaimed at speeds reflective of the stories ' lengths , in sum redeeming the otherwise decadent form of the solo literary ...
... stories assume that all will turn out well in the end . The acoustic innovation is the one - minute story , declaimed at speeds reflective of the stories ' lengths , in sum redeeming the otherwise decadent form of the solo literary ...
Seite 81
... stories together in an unplanned way , " Cage writes in Silence , " was to suggest that all things - stories , incidental sounds from the environment , and , by extension , beings — are related , and that this complexity is more evident ...
... stories together in an unplanned way , " Cage writes in Silence , " was to suggest that all things - stories , incidental sounds from the environment , and , by extension , beings — are related , and that this complexity is more evident ...
Seite 87
... stories , each of which is less than a minute in length when read aloud . When Cage performs this piece on a record of that title , while David Tudor makes random noises in another room , Indeter- minacy is very much about variations in ...
... stories , each of which is less than a minute in length when read aloud . When Cage performs this piece on a record of that title , while David Tudor makes random noises in another room , Indeter- minacy is very much about variations in ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York