John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 19
... theater as music . In Theatre Piece ( 1960 ) he extended an implication of Music Walk ( 1958 ) and provided instructions for the indeterminate movements of people as well as the generation of sounds . Actually , Cage was continually ...
... theater as music . In Theatre Piece ( 1960 ) he extended an implication of Music Walk ( 1958 ) and provided instructions for the indeterminate movements of people as well as the generation of sounds . Actually , Cage was continually ...
Seite 86
... theater " could be said to exist as soon as the perceiver's mind wished to define it . “ Theater takes place all the time , wherever one is , ” Cage wrote in Silence , “ and art sim- ply facilitates persuading one this is the case ...
... theater " could be said to exist as soon as the perceiver's mind wished to define it . “ Theater takes place all the time , wherever one is , ” Cage wrote in Silence , “ and art sim- ply facilitates persuading one this is the case ...
Seite 94
... theater as indetermi- nate music : Radio Music ( 1956 ) " for one to eight performers , each at one radio " ; Music ... theater , perhaps the most valid American species of " opera " ; it could be reviewed by the music critic or the ...
... theater as indetermi- nate music : Radio Music ( 1956 ) " for one to eight performers , each at one radio " ; Music ... theater , perhaps the most valid American species of " opera " ; it could be reviewed by the music critic or the ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York