John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 39
... things and what people would say are poor things . And there are all kinds of things , and they're not organized into any categories . So that it's like those aquariums where all of the fish are in one big tank . " In his later poetry ...
... things and what people would say are poor things . And there are all kinds of things , and they're not organized into any categories . So that it's like those aquariums where all of the fish are in one big tank . " In his later poetry ...
Seite 101
... things we could perceive at once ; but the way things are going recently , it may be in a sense of quantity , rather than quality , that we have our hope . When you use the word ' chaos , ' it means there is no chaos , because every- thing ...
... things we could perceive at once ; but the way things are going recently , it may be in a sense of quantity , rather than quality , that we have our hope . When you use the word ' chaos , ' it means there is no chaos , because every- thing ...
Seite 140
... things going on at once that I think you see different things each time you look at it , if you look at it more than once . " Because certain elements in the production , such as entrances and exits of the instrumentalists , would be ...
... things going on at once that I think you see different things each time you look at it , if you look at it more than once . " Because certain elements in the production , such as entrances and exits of the instrumentalists , would be ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York