John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 60
... told them that I had the idea of having a Boy Scout program and that the performers on the program would be Boy Scouts and that ten minutes of each hour would be used by someone from either a synagogue or a church who would give some ...
... told them that I had the idea of having a Boy Scout program and that the performers on the program would be Boy Scouts and that ten minutes of each hour would be used by someone from either a synagogue or a church who would give some ...
Seite 121
... told us it would be uncomfortable and long , but we were told also that we didn't have the right to leave once we had decided that we wanted to stay . So we all suffered through it , and it went on and on , for something like six hours ...
... told us it would be uncomfortable and long , but we were told also that we didn't have the right to leave once we had decided that we wanted to stay . So we all suffered through it , and it went on and on , for something like six hours ...
Seite 136
... told , as I never go to the opera , of course - I was told that the opera had become quite modern , the sets were not what I imagined , and the cos- tumes were too often not what I would think they had been in the past . " From these ...
... told , as I never go to the opera , of course - I was told that the opera had become quite modern , the sets were not what I imagined , and the cos- tumes were too often not what I would think they had been in the past . " From these ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York