John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 10
... traditional dimensions of music are by inten- tion free , free , free . Perhaps the single most revolutionary piece in the Cage canon is 4′33 ′′ , pronounced " Four Minutes and Thirty - three Seconds . " In its original performance ...
... traditional dimensions of music are by inten- tion free , free , free . Perhaps the single most revolutionary piece in the Cage canon is 4′33 ′′ , pronounced " Four Minutes and Thirty - three Seconds . " In its original performance ...
Seite 113
... traditional " black flag of Anarchy . " Some version of the Song Books should be made avail- able in a more economical edition , much as classical scores are reprinted in bookstore " trade " editions . It is historically impor- tant ...
... traditional " black flag of Anarchy . " Some version of the Song Books should be made avail- able in a more economical edition , much as classical scores are reprinted in bookstore " trade " editions . It is historically impor- tant ...
Seite 146
... traditional exposition but be a kind of poetry . Thankfully , there was enough respect for Cage to produce a handsome book of these lectures twelve inches high , well over one - inch thick , with two audiocassette tapes on an ...
... traditional exposition but be a kind of poetry . Thankfully , there was enough respect for Cage to produce a handsome book of these lectures twelve inches high , well over one - inch thick , with two audiocassette tapes on an ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic activities American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations circus composed composition continued critic dance dancers David Tudor devotion discipline Empty Words Erik Satie essays esthetic Europera exhibition experience film Finnegans Wake hear Hiller HPSCHD ideas Imaginary Landscape imagine imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns Jill Johnston John Cage language lecture listening Marcel Duchamp masterpiece Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mureau musical theater musicians nonetheless nonhierarchical notation once opera original percussion performance piece play poetry politics polyartist possible prepared piano produced prose radical radio record Richard Kostelanetz Roaratorio Rolyholyover score Silence singers Solo for Voice someone Sonatas and Interludes Song Books sounds space spectators stories structure tape theater theatrical theme things Thoreau thought tions told tones traditional visual art Writings Through Finnegans York