Shelley: A Collection of Critical Essays, Volumen49George M. Ridenour Prentice-Hall, 1965 - 182 páginas Commentaries on Shelley's sensitive nature poetry and its place in 19th-century Romanticism. |
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Página 19
... imagery . This is the converse of what I believe to be the typical procedure of Keats , who begins with sensuous perception and goes on to build upon it . In the Preface to Prometheus Unbound Shelley declares that The imagery which I ...
... imagery . This is the converse of what I believe to be the typical procedure of Keats , who begins with sensuous perception and goes on to build upon it . In the Preface to Prometheus Unbound Shelley declares that The imagery which I ...
Página 22
... imagery grows infinitely rich , flexible , and meaningful , drawing upon the connotations with which his symbols have been invested by a thousand poets before him . It is not merely fantastic or capricious , but is based upon enduring ...
... imagery grows infinitely rich , flexible , and meaningful , drawing upon the connotations with which his symbols have been invested by a thousand poets before him . It is not merely fantastic or capricious , but is based upon enduring ...
Página 80
... imagery as imagery , the eventual direct perception of the particular geographic scene , and the close parallelism of that scene with the symbolic scenery of the thought - thing world have not merely made possible the poetic supposition ...
... imagery as imagery , the eventual direct perception of the particular geographic scene , and the close parallelism of that scene with the symbolic scenery of the thought - thing world have not merely made possible the poetic supposition ...
Contenido
Shelleys Optimism by George M Ridenour | 1 |
The Abstractness of Shelley by Richard Harter Fogle | 13 |
Shelley and the Creative Principle by Leone Vivante | 31 |
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action Adonais Alastor appears Asia attempt beautiful becomes called cause cave clouds continually critics darkness death deep Demogorgon describe distinct divine dream earth edited English Essay essential eternity evil existence experience expressed eyes fact feel final fire flow follow give heart Heaven hope human human mind idea ideal imagery imagination individual Intellectual Italy Jupiter Keats kind later less Letter light lines live London matter meaning merely mind mountain nature night objective opening original passage passed Philosophy poem poet poet's poetic poetry position possible Power preface present Prometheus Unbound qualities Ravine reality reference relation remains river says scene seeks seems sense shadows Shape Shelley Shelley's sleep soul sound spirit stanza stars stream succession suggest symbolic things thou thought transcendent truth universe veil vision volcanic winds Witch