Marlovian Tragedy: The Play of DilationBucknell University Press, 1999 - 221 páginas This re-visioning of the Marlowe canon aims to explain the ambiguous effects that readers have long associated with Marlowe's signature. Marlovian tragedy has been inadequately theorized because Marlowe has too often been set under the giant shadow of Shakespeare. Grande, by contrast, takes Marlowe on his own terms and demonstrates how he achieves his notorious moral ambiguity through the rhetorical technique of dilation or amplification. All of Marlowe's plays end in the conventional tragic way, with death. But each play, as well as Hero and Leander, repeatedly evokes the reader's expectations of a tragic end only to defer them, dilating the moment of pleasure so that the protagonists can dally before the "law" of tragedy. |
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Página 86
... force that opposes Jupiter and the epic heroes related to him . In strengthening the opposition to Jupiter's authority , Marlowe draws a parallel between Dido and Juno . In the Aeneid , Virgil states that Juno loves Carthage even more ...
... force that opposes Jupiter and the epic heroes related to him . In strengthening the opposition to Jupiter's authority , Marlowe draws a parallel between Dido and Juno . In the Aeneid , Virgil states that Juno loves Carthage even more ...
Página 176
... force , for two external forms in a single work " ( 107 ) , need not , of course , exclude our consideration of Marlowe's own dramatic tour de force as a generic transformation . Furthermore , it will be less confusing to speak of ...
... force , for two external forms in a single work " ( 107 ) , need not , of course , exclude our consideration of Marlowe's own dramatic tour de force as a generic transformation . Furthermore , it will be less confusing to speak of ...
Página 179
... force but rather from the natural , “ inscrutable force " of death , which claims all individuals ( " Tragicke Glass , " " in Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig , ed . Richard Hosley [ Columbia ...
... force but rather from the natural , “ inscrutable force " of death , which claims all individuals ( " Tragicke Glass , " " in Essays on Shakespeare and Elizabethan Drama in Honor of Hardin Craig , ed . Richard Hosley [ Columbia ...
Contenido
Acknowledgments | 9 |
Dilation in Hero and Leander | 25 |
Tamburlaines Fortunate Fall | 44 |
Derechos de autor | |
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Términos y frases comunes
Aeneas allusion argues attempts authority Barabas becomes begins calls Cambridge casibus tragedy character Christ Christian Christopher Marlowe classical comic Complete context conventional course critics death desire Dido difference dilation divine Drama echo edited Edward Elizabethan English English Studies epic Essays example expectations fact fall father Faustus Faustus's figure final follow force Fortune genre gives hand Hero and Leander heroic human important ironic Jew of Malta John Jupiter kind king language Latin lines literary literature London lovers Marlovian Marlowe Marlowe's Marlowe's play means metafictional Mirror moral Mortimer narrative narrator nature night original Overreacher parody play pleasure poem points presents provides reader reading recalls reference relation Renaissance represents rhetorical Richard scapegoat scene seems sense Shakespeare shows sources speech story structure Studies suggests Tamburlaine throughout tion tradition tragic translation ultimately University Press Virgil writers York