Othello: Revised EditionBloomsbury Publishing, 2016 M02 25 - 448 páginas This second edition of Othello has a new, illustrated introduction by leading American scholar Ayanna Thompson, which addresses such key issues as race, religion and gender, as well as looking at ways in which the play has been adapted in more recent times. Othello is one of Shakespeare's great tragedies-written in the same five-year period as Hamlet, King Lear, and Macbeth. The new introduction attends to the play's different meanings throughout history, while articulating the historical context in which Othello was created, paying particular attention to Shakespeare's source materials and the evidence about early modern constructions of racial and religious difference. It also explores the life of the play in different historical moments, demonstrating how meanings and performances develop, accrue, and metamorphose over time. The volume provides a rich and current resource, making this best-selling play edition ideal for today's students at advanced school and undergraduate level. |
Dentro del libro
Resultados 1-5 de 62
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... Stage (2008). She is the editor of Weyward Macbeth: Intersections of Race and Performance (2010) and Colorblind Shakespeare: New Perspectives on Race and Performance (2006). Professor Thompson has served as a Trustee of the Shakespeare ...
... Stage (2008). She is the editor of Weyward Macbeth: Intersections of Race and Performance (2010) and Colorblind Shakespeare: New Perspectives on Race and Performance (2006). Professor Thompson has served as a Trustee of the Shakespeare ...
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... Stage Histories Othello Onstage, Part 2: Black Actors, White Actresses Othello Onstage, Part 3: Othello in the World Othello: Restaged/Rewritten Concluding Thoughts THE TRAGEDY OF OTHELLO, THE MOOR OF VENICE Appendices 1. Date 2. The ...
... Stage Histories Othello Onstage, Part 2: Black Actors, White Actresses Othello Onstage, Part 3: Othello in the World Othello: Restaged/Rewritten Concluding Thoughts THE TRAGEDY OF OTHELLO, THE MOOR OF VENICE Appendices 1. Date 2. The ...
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... stage production Othello (courtesy of Billy Rose Theatre Division, The New York Public Library for the Performing Arts, Astor, Lenox and Tilden Foundations) 39 8 46 9 47 52 11 53 70 76 81 15 16 17 18 19 Julienne Marie as Desdemona and ...
... stage production Othello (courtesy of Billy Rose Theatre Division, The New York Public Library for the Performing Arts, Astor, Lenox and Tilden Foundations) 39 8 46 9 47 52 11 53 70 76 81 15 16 17 18 19 Julienne Marie as Desdemona and ...
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... stage and screen) have discovered in the play. While building upon the rich history of scholarly activity that has long shaped our understanding of Shakespeare's works, this third series of the Arden Shakespeare is enlivened by a new ...
... stage and screen) have discovered in the play. While building upon the rich history of scholarly activity that has long shaped our understanding of Shakespeare's works, this third series of the Arden Shakespeare is enlivened by a new ...
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... stage directions and speech prefixes have been translated into English and the original Latin forms recorded in the textual notes. COMMENTARY. AND. TEXTUAL. NOTES. Notes in the commentary, for which a major source will be the Oxford English ...
... stage directions and speech prefixes have been translated into English and the original Latin forms recorded in the textual notes. COMMENTARY. AND. TEXTUAL. NOTES. Notes in the commentary, for which a major source will be the Oxford English ...
Contenido
1 | |
THE TRAGEDY OF OTHELLO THE MOOR OF VENICE | 117 |
LIST OF ROLES | 118 |
THE TRAGEDY OF OTHELLO THE MOOR OF VENICE | 119 |
LONGER NOTES | 337 |
APPENDIX 1 Date | 349 |
APPENDIX 2 The Textual Problem | 357 |
APPENDIX 3 Cinthio and Minor Sources | 375 |
APPENDIX 4 Edward Pudseys Extracts from Othello | 399 |
APPENDIX 5 Musical Settings for Songs in Othello | 401 |
ABBREVIATIONS AND REFERENCES | 405 |
INDEX | 421 |
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Términos y frases comunes
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