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Página 72
the friar finishes preaching , for example , we learn that he is anxious to get out of
church to start begging : “ And whan this frere had seyd al his entente , / With qui
cum patre forth his wey he wente ” ( 1733 – 34 ) . This is , of course , necessary ...
the friar finishes preaching , for example , we learn that he is anxious to get out of
church to start begging : “ And whan this frere had seyd al his entente , / With qui
cum patre forth his wey he wente ” ( 1733 – 34 ) . This is , of course , necessary ...
Página 74
wife has no part in the central action of the tale , but Chaucer uses her entrance
here to reveal another aspect of the friar ' s character ( the reference to the
lecherous sparrow recalling the description of the Summoner in the Prologue ) ,
and to ...
wife has no part in the central action of the tale , but Chaucer uses her entrance
here to reveal another aspect of the friar ' s character ( the reference to the
lecherous sparrow recalling the description of the Summoner in the Prologue ) ,
and to ...
Página 76
Chased out of the house , the friar goes " with a ful angry cheere ” ( 2158 ) , and “
He looked as it were a wilde boor ; / He grynte with his teeth , so was he wrooth ”
( 2160 – 61 ) . So enraged is the friar , in fact , that he is momentarily speechless
...
Chased out of the house , the friar goes " with a ful angry cheere ” ( 2158 ) , and “
He looked as it were a wilde boor ; / He grynte with his teeth , so was he wrooth ”
( 2160 – 61 ) . So enraged is the friar , in fact , that he is momentarily speechless
...
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Términos y frases comunes
action allegory anon appear appropriate Arcite armes attention become Book calls caste ceremonial character Chaucer cheere chere colloquial style conventional course Criseyde Custance demonstrative described detail discussion doun Dreamer early effect emotion English example expressive eyen face fact falle figure friar ful ofte functions gestures grief Griselda Habicht hand hath herte hewe hire hondes House of Fame important indicate interesting John kiss kiste kneeling knees Knight lady later laugh Law's Tale Legend less lines lives look lovers mean minor narrative nature Nicholas notes occur once Palamon pale Pandarus poems poet poetry practical presented Prologue realistic regarded rendered reveal romances Rose saints says scene sequence serves seyde sighs significant similar situations soore sorwe spontaneous stage business static style Tale tells ther therwithal Theseus Thomas Troilus turns tyme weep wepynge whan wife wolde women writing