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Of the Vast meteor sunk, the Poet's blood,

That ever beat in mystic sympathy

With nature's ebb and flow, grew feebler still:

And when two lessening points of light alone

Gleamed through the darkness, the alternate gasp

Of his faint respiration scarce did stir

The stagnate night:—till the minutest ray

Was quenched, the pulse yet lingered in his heart.

It paused—it fluttered. But when heaven remained

Utterly black, the murky shades involved

An image, silent, cold, and motionless,

As their own voiceless earth and vacant air.

Even as a vapour fed with golden beams

That ministered on sunlight, ere the west

Eclipses it, was now that wondrous frame—

No sense, no motion, no divinity—

A fragile lute, on whose harmonious strings

The breath of heaven did wander—a bright stream

Once fed with many-voiced waves—a dream

Of youth, which night and time have quenched for ever

Still, dark, and dry, and unremembered now.

O, for Medea's wondrous alchymy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! O, that God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders for ever,
Lone as incarnate death! O, that the dream
Of dark magician in his visioned cave,
Baking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled
Like some frail exhalation, which the dawn
Robes in its golden beams,—ah! thou hast fled!
The brave, the gentle, and the beautiful,
The child of grace and genius. Heartless things
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice:—but thou art fled—
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not. Upon those pallid lips

So sweet even in their silence, on those eyes

That image sleep in death, upon that form

Yet safe from the worm's outrage, let no tear

Be shed—not even in thought. Nor, when those hues

Are gone, and those divinest lineaments,

Worn by the senseless wind, shall live alone

In the frail pauses of this simple strain,

Let not high verse, mourning the memory

Of that which is no more, or painting's woe

Or sculpture, speak in feeble imagery

Their own cold powers. Art and oloquence,

And all the shows o' the world, are frail and vain

To weep a loss that turns their light to shade.

It is a woe "too deep for tears," when all

Is reft at once, when some surpassing Spirit,

Whose light adorned the world around it, leaves

Those who remain behind nor sobs nor groans,

The passionate tumult of a clinging hope;

But pale despair and cold tranquillity,

Nature's vast frame, tho web of human things,

Birth and the grave, that aro not as they were.

THE REVOLT OF ISLAM.

A POEM IN TWELVE CANTOS.

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PREFACE.

The Poem which I now present to the world, is an attempt from which I scarcely dare to expect success, and in which a writer of established fame might fail without disgrace. It is an experiment on the temper of tho public mind, as to how far a thirst for a happier condition of moral and political society survives, among tho enlightoned and refined, the tempests which have shaken the age in which we live. I have sought to enlist the harmony of metrical language, the etherial combinations of tho fancy, the rapid and subtle transitions of human passion, all thoso elements which essentially compose a Poem, in the cause of a liberal and comprehensive morality; and in the view of kindling within the bosoms of my readers, a virtuous enthusiasm for those doctrines of liberty and justice, that faith and hope in something good, which neither violence, nor misrepresentation, nor prejudice can ever totally extinguish among mankind.

For this purpose, I have chosen a story of human passion in its most universal character, diversified with moving and romantic adventures, and appealing, in contempt of all artificial opinions or institutions, to the common sympathies of every human breast. I have made no attempt to recommend the motives which I would substitute for those at present governing mankind, by methodical and systematic argument. I would only awaken the feelings so that the reader should see the beauty of true virtue, and be incited to those inquiries which have led to my moral and political creed, and that of some of the sublimest intellects in the world. The Poem, therefore, (with the exception of the first Canto, which is purely introductory,) is narrative, not didactic. It is a succession of pictures illustrating the growth and progress of individual mind aspiring after excellence, and devoted to the love of mankind; its influence in refining and making pure the most daring and uncommon impulses of the imagination, the understanding, and the senses; its impatience at "all the oppressions which are done under tho sun;" its tendency to awaken public hope and to enlighten and improve mankind; the rapid effects of the application of that tendency; the awakening of an immense nation from their slavery and degradation to a true sense of moral dignity and freedom; the bloodless dethronement of their oppressors, and the unveiling of the religious frauds by which they had been deluded into submission: the tranquillity of successful patriotism, and the universal toleration and benevolence of true philanthropy; the treachery and barbarity of hired soldiers; vice not the object of punishment and hatred, but kindness and pity; the faithlessness of tyrants; the confederacy of the Rulers of the World, and the restoration of the expelled Dynasty by foreign arms: the massacre and extermination of the Patriots, and the victory of established power; the consequences of legitimate despotism, civil war, famine, plague, superstition, and an utter extinction of the domestic affections; the judicial murder of the advocates of Liberty; the temporary triumph of oppression, that secure earnest of its final and inevitable fall; tho transient nature of ignorance and error, and the eternity of genius and virtue. Such is tho series of delineations of which the Poem consists. And if the lofty passions with which it has been my scope to distinguish this story, shall not excite in the reader a generous impulse, an ardent thirst for excellence, an interest profound and strong, such as belongs to no meaner desires—let not tho failure be imputed to a natural unfitness for human sympathy in these sublime and animating themes. It is the business of the Poet to communicate to others the pleasure and the enthusiasm arising out of those images and feelings, in the vivid presence of which within hia own mind, consists at once his inspiration and his reward.

The panic which, like an epidemic transport, seized upon all classes of men during the excesses consequent upon the French Revolution, is gradually giving place to sanity. It has ceased to be believed, that whole generations of mankind ought to consign themselves to a hopeless inheritance of ignorance and misery, because a nation of men who had been dupes and slaves for centuries, were incapable of conducting themselves with the wisdom and tranquillity of freemen so soon as some of their fetters were partially loosened . That their conduct could not have been marked by any other characters than ferocity and thoughtlessness, is the historical fact from which liberty derives all its recommendations, and falsehood the worst features of its deformity. There is a reflux in the tide of human things which bears the shipwrecked hopes of men into a secure haven, after the storms are past. Methinks, those who now live have survived an age of despair.

The French Revolution may be considered as one of those manifestations of a general state of feeling among civilised mankind, produced by a defect of correspondence between the Knowledge existing in society and the improvement or gradual abolition of political institutions. The year 1788 may be assumed as the epoch of one of the most important crises produced by this feeling. The sympathies connected with that event extended to every bosom. The most generous and amiable natures were those which participated the most extensively in these sympathies. But such a degree of unmingled good was expected, as it was impossible to realise. If the Revolution had been in every respect prosperous, then misrule and superstition would lose half their claims to our abhorrence, as fetters which the captive can unlock with the slightest motion of his fingers, and which do not eat with poisonous rust into the soul. The revulsion occasioned by the atrocities of the demagogues and the re-cstablishment of successive tyrannies in France wad terrible, and felt in the remotest corner of the civilised world. Could they listen to the plea of reason who had groaned under the calamities of a social state, according to the provisions of which, one man riots in luxury whilst another famishes for want of bread 1 Can he who the day before was a trampled slave, suddenly become liberal-minded, forbearing, and independent! This is the consequence of the habits of a state of society to be produced by resolute perseverance and indefatigable hope, and long-suffering and long-believing courage, and the systematic efforts of generations of men of intellect and virtue. Such is the lesson which experience teaches now. But on the first reverses of hope in the progress of French liberty, the sanguine eagerness for good overleapt the solution of these question?, and for a time extinguished itself in the unexpectedness of their result . Thus many of the most ardent and tender-hearted of the worshippers of public good have been morally ruined, by what a partial glimpse of the events they deplored, appeared to show as the melancholy desolation of all their cherished hopes. Hence gloom and misanthropy have become the characteristics of the age in which we live, the solace of a disappointment that unconsciously finds relief only in the wilful exaggeration of its own despair. This influence has bunted the literature of the age with the hopelessness of the minds from which it flows. Metaphysics,* and inquiries into moral and political science, have become little else than vain attempts to revive exploded superstitions, or sophisms like those t of Mr. Malthus, calculated to lull the oppressors of mankind into a security of everlasting triumph. Our works of fiction and poetry have been overshadowed by the same infectious gloom. But mankind appear to me to be emerging from their trance. I am aware, methinks, of a slow, gradual, silent change. In that belief I have composed the following Poem.

I do not presume to enter into competition with our greatest contemporary Poets. Yet I am unwilling to tread in the footsteps of any who have preceded me. I have sought to avoid the imitation of any stylo of language or versification peculiar to the original minds of which it is the character, designing that even if what I have produced bo worthless, it should still be properly my own. Nor have I permitted any system relating to mere words, to divert the attention of the reader from whatever interest I may have succeeded in creating, to my own ingenuity in contriving to disgust them according to the rules of criticism. I have simply clothed my thoughts in what appeared to me the most obvious and appropriate language. A person familiar with nature, and with the most celebrated productions of the human mind, can scarcely err in following the instinct, with respect to selection of language, produced by that familiarity.

There is an education peculiarly fitted for a Poet, without which genius and sensibility can hardly fill the circle of their capacities. No education, indeed, can entitle to this appellation a dull and unobservant mind, or one, though neither dull nor unobservant, in which the channels of communication between thought and expression have been obstructed or closed. How far it is my fortune to belong to either of the latter classes, I cannot know. I aspire to be something better. The circumstances of my accidental education have been favourable to this

* I ouffht to except Sir W. Prummond's "Academical Questions;" a volume of very acuto and powerful metaphysical criticism.

♦ It is remarkable, as a symptom of the revival of public hope, that Mr. Malthus has assigned, in the later editions of his work, an indefinite dominion to moral restraint over the principle of population. This concession answers all the inferences from his doctrine unfavourable to human improvement, and reduces the "Essay On Population," to a commentary illustrative of the unanswerableneefl of *' Political Justice."

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