A History of English Poetry, Volumen6Russell & Russell, 1962 |
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Página 210
... lines and paragraphs . " For this effect the structure of the sonnet was peculiarly well adapted , as being the most highly individualised of all metrical forms . Confined within a limit of fourteen lines , it admits of no superfluity ...
... lines and paragraphs . " For this effect the structure of the sonnet was peculiarly well adapted , as being the most highly individualised of all metrical forms . Confined within a limit of fourteen lines , it admits of no superfluity ...
Página 212
... line , but lets his thought run on , if necessary , to the end , trusting to one of those lines of " sinewy strength " which characterise his style and give the required effect both of emphasis and repose . A rhyming close is rarely ...
... line , but lets his thought run on , if necessary , to the end , trusting to one of those lines of " sinewy strength " which characterise his style and give the required effect both of emphasis and repose . A rhyming close is rarely ...
Página 224
... lines of four accents , or by lines of six syllables and three accents . Then , by a sudden change , a period will follow in which dactylic and iambic rhythms are arbitrarily mixed : eg . What woman is she So wrinkled and | old That ...
... lines of four accents , or by lines of six syllables and three accents . Then , by a sudden change , a period will follow in which dactylic and iambic rhythms are arbitrarily mixed : eg . What woman is she So wrinkled and | old That ...
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action admiration ancient artistic Ballads Baviad beautiful Biographia Literaria Byron Canto character classical Coleridge Coleridge's composition Crabbe criticism diction dramatic Edinburgh Review eighteenth century England English Poetry epic expression fancy feeling feudal French Revolution genius German Giaour Godwin Greek heart Hogg Holy Roman Empire Horace Walpole Ibid ideal ideas imagination imitation influence inspired Jacobite John Hookham Frere Keats language Leigh Hunt letters liberty lines literary literature Lord lyrical Lyrical Ballads manner Mary Godwin metre metrical mind Minstrel moral movement narrative Nature Nether Stowey never o'er opinion passion philosophical poem poet poet's poetical political Pope principles published reader reflected Renaissance revival Revolt of Islam revolutionary romantic satire says Scott Scottish seems sentiment Shelley Shelley's showed social society song sonnet Southey spirit stanza style sympathy taste tendency thee thou thought tion verse Whig William Wordsworth writes