A History of English Poetry, Volumen6Russell & Russell, 1962 |
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... showed in the last volume the results of the uncompromising vigour with which France had developed on parallel lines the principles of Monarchical centralisation and Classical ex- clusiveness.1 The Crown had absorbed all the functions ...
... showed in the last volume the results of the uncompromising vigour with which France had developed on parallel lines the principles of Monarchical centralisation and Classical ex- clusiveness.1 The Crown had absorbed all the functions ...
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... showed that it was formed gradually by a number of writers who from their position were acquainted with the character of conversation in the best society , and were able to refine and elevate this through their knowledge of the best ...
... showed that it was formed gradually by a number of writers who from their position were acquainted with the character of conversation in the best society , and were able to refine and elevate this through their knowledge of the best ...
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... showed that he could himself construct with great facility ballads bearing superficially a closer resemblance to the style of the Border singers . The praise that Scott , with his usual generosity , bestowed upon compositions like ...
... showed that he could himself construct with great facility ballads bearing superficially a closer resemblance to the style of the Border singers . The praise that Scott , with his usual generosity , bestowed upon compositions like ...
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Términos y frases comunes
action admiration ancient artistic Ballads Baviad beautiful Biographia Literaria Byron Canto character classical Coleridge Coleridge's composition Crabbe criticism diction dramatic Edinburgh Review eighteenth century England English Poetry epic expression fancy feeling feudal French Revolution genius German Giaour Godwin Greek heart Hogg Holy Roman Empire Horace Walpole Ibid ideal ideas imagination imitation influence inspired Jacobite John Hookham Frere Keats language Leigh Hunt letters liberty lines literary literature Lord lyrical Lyrical Ballads manner Mary Godwin metre metrical mind Minstrel moral movement narrative Nature Nether Stowey never o'er opinion passion philosophical poem poet poet's poetical political Pope principles published reader reflected Renaissance revival Revolt of Islam revolutionary romantic satire says Scott Scottish seems sentiment Shelley Shelley's showed social society song sonnet Southey spirit stanza style sympathy taste tendency thee thou thought tion verse Whig William Wordsworth writes