The Making of Theatre HistoryPAUL KURITZ, 1988 - 468 páginas |
Dentro del libro
Resultados 1-5 de 68
Página
... Costume Dramatic Texts Performance Space Aeschylus 29 Sophocles 30 26 27 29 40 The First History of the Theatre Imported Arts Farce 40 The Atellan Farce 41 Early Written Drama 41 Festivals 42 40 Theatrical Organization and Management ...
... Costume Dramatic Texts Performance Space Aeschylus 29 Sophocles 30 26 27 29 40 The First History of the Theatre Imported Arts Farce 40 The Atellan Farce 41 Early Written Drama 41 Festivals 42 40 Theatrical Organization and Management ...
Página
... Costume and Mask Noh Playing Area 105 106 108 The Noh Audience 108 Costume 92 Make - Up 93 Performance Space 93 Convention in Staging 94 Dramatic Texts 95 Audience 96 JAPAN 96 Noh Conventions Noh Dramaturgy 108 Noh Structure 109 Kyogen ...
... Costume and Mask Noh Playing Area 105 106 108 The Noh Audience 108 Costume 92 Make - Up 93 Performance Space 93 Convention in Staging 94 Dramatic Texts 95 Audience 96 JAPAN 96 Noh Conventions Noh Dramaturgy 108 Noh Structure 109 Kyogen ...
Página
... Costume 221 Audience 221 Dramatic Criticism 222 Political Disunity 244 From Neo - Classicism to Sturm und Drang 245 Opera 246 Native Arts 246 Second - Hand Dramas Goethe and Schiller 247 Bourgeois Drama Reforming Actors 249 250 246 ...
... Costume 221 Audience 221 Dramatic Criticism 222 Political Disunity 244 From Neo - Classicism to Sturm und Drang 245 Opera 246 Native Arts 246 Second - Hand Dramas Goethe and Schiller 247 Bourgeois Drama Reforming Actors 249 250 246 ...
Página 20
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Lo sentimos, el contenido de esta página está restringido..
Contenido
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
Reason and Industry | 203 |
Social Revolution | 209 |
LOpéra | 215 |
Cavalier Culture | 239 |
Notes | 251 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
85 | 408 |
Términos y frases comunes
acting action actors aesthetic American Antonin Artaud artists atre audience became began Beijing opera born bourgeois Brecht Buddhism century characters Charles Chinese Christian church classical Comédie Française comedy comic commedia dell'arte costume court created culture dance Daoism David Garrick developed dience Dionysus drama dramatic theatre Edmund Kean emotion England English entertainment epic festivals France French German Greek Henry hero human Ibsen ideal ideas Indian individuals Italian Japanese Jews John Philip Kemble kabuki King kyogen Lilly Library lived masks medieval ment modern theatre Molière moved nature neo-classical opera painted passion performance players plays playwright plot poet political popular Press produced realistic reality reigned religious Renaissance revolution Richard III ritual roles romantic romanticism Russian scene scenery Shakespeare social society space stage style symbols theatre's theatrical tion tragedy troupes truth ture University Western William women write wrote York zaju Zeami