The Making of Theatre History |
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Contenido
Magic and Ritual | 6 |
GREECE 15 | 17 |
The Cult of Dionysus and the Emergence | 19 |
Music and Dance | 25 |
The Atellan Farce | 41 |
Social Status of the Actor | 47 |
ROME 36 | 53 |
New Religions Rival the Old Theatre | 59 |
The Theatrical Revolution | 159 |
Serlio | 166 |
FRANCE | 197 |
OVERVIEW | 202 |
Revolution | 208 |
New Dramaturgical Goals | 214 |
Cavalier Culture | 239 |
From NeoClassicism to Sturm und Drang | 245 |
The Actors Technique | 66 |
Performance | 72 |
CHINA | 83 |
Society on Stage | 85 |
Acting in the Beijing Opera | 91 |
The Golden Age and a New Drama 99 | 115 |
Enduring NonChristian Rituals | 121 |
Tropes | 127 |
Drama in the Religious Controversy | 147 |
OVERVIEW | 153 |
7 | 252 |
Transcendental Aesthetics | 256 |
Dramatic Texts | 262 |
OVERVIEW 252 | 276 |
AMERICA | 284 |
ActorManagers | 299 |
OVERVIEW | 305 |
Photography | 311 |
FRANCE | 318 |
Problem Plays | 327 |
Términos y frases comunes
acting action actors Aeschylus American appeared artists atre audience became began begins born bourgeois brought called century characters Charles Chinese Christian church City classical comedy costume court created critic culture dance death developed dies drama early emotion England English example existence experience fact festival followed forced France French German Greek hand Henry hero House human ideal ideas important increased Indian individuals interest Italian Italy John kabuki King later lived London means medieval moved movement named nature needed opened opera original passion performance person Plautus players plays playwright plot poet political popular present Press produced realistic reality religious Renaissance replaced result ritual roles romantic rules scene Shakespeare social society space stage symbols theatre theatrical things thought tion tragedy truth University Western women writing wrote York