Acting and Stage Movement

1-10 Emotional Scale actor aloud amateur arms attention audience back foot become chair CHAPTER character Christopher Fry climax close co-ordinated complete relaxation controlled Courtesy ANTA created dialogue door dramatic pause dramatist droop elbows entrance exercise exit expression eyes facial muscles feelings feet fingers give hands head Henry Irving hips imposed interpretation Karl Malden keep knees language lift Listen MARGARET Leighton mechanics ment mental images Merchant of Venice MIDDLE AGE mind modern play mouth move movement and gesture natural OLD AGE opposition of movement Othello pace performance personality physical player portrayed Practise producer purpose Pygmalion racter reveal Right Wrong Fig scapula scene Shakespeare shoulder Shylock side sitting speak speech and movement speech pattern Stage Movement standing stationary foot swing T. S. Eliot technique tend tensed tension theatre thoughts tion Twelfth Night Uriah Heep W. B. Yeats walking weight whole body woman words youth