The Masks of HamletUniversity of Delaware Press, 1992 - 971 páginas In this work, Rosenberg insists again and again that only the individual reader or actor can determine Shakespeare's design of Hamlet's character -- and of the play. To interpret Hamlet's words and actions at the many crises, the reader needs to double in the role of actor, imagining the character from the inside and observing from the outside. Winner of the Theatre Library Association Award for 1993. |
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Página 290
... face - more or less quickly , as we will see - to confront the spirit . He may briefly turn his back to the house in so doing , as Bernhardt did ; but once he begins his important speech , his face will be in profile or three - quarter face ...
... face - more or less quickly , as we will see - to confront the spirit . He may briefly turn his back to the house in so doing , as Bernhardt did ; but once he begins his important speech , his face will be in profile or three - quarter face ...
Página 318
... face alone will show his anguish . When Hamlet at once falls flat , as Forbes - Robertson and Barrymore did , the ... face forward with his back to the Ghost , as King- sley did , so the play of both faces could be seen . Two signals ...
... face alone will show his anguish . When Hamlet at once falls flat , as Forbes - Robertson and Barrymore did , the ... face forward with his back to the Ghost , as King- sley did , so the play of both faces could be seen . Two signals ...
Página 598
... face his nephew and the court . Traditionally he is stricken with fear and remorse , disclosing his growing anguish in knotted hands , twisted face and body ; sighs ; confusion . He may not run squealing , tottering , and trembling , as ...
... face his nephew and the court . Traditionally he is stricken with fear and remorse , disclosing his growing anguish in knotted hands , twisted face and body ; sighs ; confusion . He may not run squealing , tottering , and trembling , as ...
Contenido
Act I Scene i Part | 1 |
Gertrude | 10 |
Act I Scene ii Part | 36 |
Derechos de autor | |
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Términos y frases comunes
action actor actor-reader Alan Howard antic arms arras asks audience begins Booth Burton character Charles Kean Charles Kemble Claudius court courtiers dangerous death Denmark Dover Wilson emotional eyes face father fear Fechter feel felt fierce Fortinbras G. B. Shaw Garrick Gertrude Gertrude's gesture Ghost Gielgud grief hand head Horatio impulse Irving Jacobi Kachalov Kainz Kean Kemble kill kind King King's kiss Laertes later laugh lonius look Marcellus mask McKellen's mood mother Mousetrap moved murder mystery observed Olivier Ophelia passion pause perhaps physical play Player Polonius polyphony power Hamlet Prince Queen revenge role Rosencrantz and Guildenstern scene seems seen sense sexual Shakespeare shock soliloquy sometimes Sothern soul sound speak speech spies spoke stage subtext suddenly suggests sweet Hamlet sword tears tenderness theatre thought tone touch tried trying turned usually violence voice whisper Wittenberg words young