Renaissance and Baroque: Multiple Unity and Unified Unity in the Treatment of Verse, Ornament, and Structure, Volumen1University of Wisconsin--Madison, 1959 - 1016 páginas |
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Renaissance and Baroque: Multiple Unity and Unified Unity in the ..., Volumen2 Roger Loren Parsons Vista de fragmentos - 1959 |
Términos y frases comunes
Artists on Art baroque art Ben Jonson blank verse century cessation chapter characteristic cited Blunt concept concerned contrast couplet verse Coy Mistress Crashaw criticism defined differences distinguished dominating total motive Donne Donne's E. M. W. Tillyard emphasis Epithalamion example F. T. Prince Faerie Queene figures functioning of individual Furioso Gerusalemme Heinrich Wölfflin Ibid independent functioning individual forms Italian Jonson line and rime line five Lycidas mannerist Mario Praz Milton Milton's blank verse multiple unity Orlando Orlando Furioso over-all painting Paradise Lost passages period label Petrarch poem poets present hypothesis problem Professor Prose quatrain relation renaissance renaissance and baroque respect run-on lines Ruth Wallerstein Sanctis seventeenth seventeenth-century literature Seventeenth-Century Verse Signor Momigliano sixteenth sixteenth-century sonnets Spenser Spingarn stanzaic verse stanzas strong medial pauses structure style stylistic subordination syntactical unit Tasso tendency thing thou total dominating motive unified unity Vasari verb Wellek whole Wölfflin writers