Multiple Authorship and the Myth of Solitary Genius

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Oxford University Press, 1991 M08 15 - 272 páginas
This is a study of the collaborative creation behind literary works that are usually considered to be written by a single author. Although most theories of interpretation and editing depend on a concept of single authorship, many works are actually developed by more than one author. Stillinger examines case histories from Keats, Wordsworth, Coleridge, Mill, and T.S. Eliot, as well as from American fiction, plays, and films, demonstrating that multiple authorship is a widespread phenomenon. He shows that the reality of how an author produces a work is often more complex than is expressed in the romantic notion of the author as solitary genius. The cumulative evidence revealed in this engaging study indicates that collaboration deserves to be included in any account of authorial achievement.
 

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Contenido

1 What Is an Author?
3
The Multiple Authorship of Isabella
25
3 Who Wrote J S Mills Autobiography?
50
4 Multiple Consciousnesses in Wordsworths Prelude
69
The Case of Coleridge
96
6 Pounds Waste Land
121
Authors Agents Editors Publishers
139
Authors Auteurs Autres
163
9 Implications for Theory
182
Multiple Authorship from Homer to Ann Beattie
203
Notes
215
Index
245
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