Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreRoutledge, 2017 M03 2 - 160 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
Dentro del libro
Resultados 1-5 de 42
Página 1978
... Dionysian inversion of Apollonian romance; their tragic Dionysian lyrics; their speculative poetics in Shelley's Adonais and Keats's The Eve of St. Mark and, finally, their fragment poems. These are formal (with the exception of the ...
... Dionysian inversion of Apollonian romance; their tragic Dionysian lyrics; their speculative poetics in Shelley's Adonais and Keats's The Eve of St. Mark and, finally, their fragment poems. These are formal (with the exception of the ...
Página 1979
... Dionysian subjectivity behind an Apollonian language of rational order ( Chapter Three ) . Both Alastor and Endymion , in my account , dramatise the tension between their protagonists ' longing for an absolute and idealised.
... Dionysian subjectivity behind an Apollonian language of rational order ( Chapter Three ) . Both Alastor and Endymion , in my account , dramatise the tension between their protagonists ' longing for an absolute and idealised.
Página 1980
... Dionysian tragedy of human existence behind its Apollonian poetic symbol . Endymion and Alastor are presented as negative poetic fictions which recognise that the Apollonian illusion of romance is a necessary fictional foil to the ...
... Dionysian tragedy of human existence behind its Apollonian poetic symbol . Endymion and Alastor are presented as negative poetic fictions which recognise that the Apollonian illusion of romance is a necessary fictional foil to the ...
Página 1994
... Dionysian dynamic as an allegory for the deconstructive potential of romantic art Rajan's treatment of The Birth of Tragedy shares with her predecessors, Abrams and De Man, a reductive sense of Nietzsche's philosophy as a mere set of ...
... Dionysian dynamic as an allegory for the deconstructive potential of romantic art Rajan's treatment of The Birth of Tragedy shares with her predecessors, Abrams and De Man, a reductive sense of Nietzsche's philosophy as a mere set of ...
Página 1995
... Dionysian understanding of art. By contrast, Shelley is interpreted by her as constantly endeavouring to maintain a sceptical idealism by immersing the Dionysian in the Apollonian. Keats's self- conscious Dionysian tragic sensibility is ...
... Dionysian understanding of art. By contrast, Shelley is interpreted by her as constantly endeavouring to maintain a sceptical idealism by immersing the Dionysian in the Apollonian. Keats's self- conscious Dionysian tragic sensibility is ...
Contenido
1974 | |
1991 | |
Tragic Romance | |
Lyrical Transgressions | |
Posthumous Meditations | |
Poetic Ruins | |
Bibliography | |
Index | |
Otras ediciones - Ver todas
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista de fragmentos - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
Adonais Adonais's aesthetic Alastor Apollo Apollonian Autumn beauty become Birth of Tragedy bower Cambridge University Press creative critical dark death Deconstruction Derrida Dionysian dream Endymion eternity Eve of St existence figure Friedrich Nietzsche Harold Bloom hereafter historical human Hyperion fragments ideal idealised illusory imaginative immortal interpretation Isabella Jacques Derrida John Keats Keats and Shelley Keats's Keats's Endymion Keats's Hyperion Keats's Ode Keats's poetic Keatsian Lamia life's literary London lyric metaphysical mode mortal mutability narrative narrator nature Nietzsche's Nietzschean nightingale Ode to Psyche philosophical poem poet poet's poetic fictions poetic identity poetic language Poetry posthumous poststructural Psyche Psyche's R. J. Hollingdale reader reading reality rhetorical romantic Rousseau's scepticism Shelley's poet-figure Shelley's The Triumph Shelleyan silent skylark Spirit stanza Studies in Romanticism textual thou Tilottama Rajan Tintern Abbey Titanic tragedy tragic Trans transcendental transformation tropes truth Übermensch vision voice Walter Kaufmann witch Wordsworth's writing