Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreRoutledge, 2017 M03 2 - 160 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
Dentro del libro
Resultados 1-5 de 19
Página 1975
... Harold Bloom's model of the 'anxiety of influence' and set a precedent for Friedrich Nietzsche's influence on the poetical works of John Keats and Percy Bysshe Shelley.2 Nor, for that matter, do I wish to dissolve significant national ...
... Harold Bloom's model of the 'anxiety of influence' and set a precedent for Friedrich Nietzsche's influence on the poetical works of John Keats and Percy Bysshe Shelley.2 Nor, for that matter, do I wish to dissolve significant national ...
Página 1981
... Harold Bloom's idea of apophrades. For Bloom's explication of poetic misprisoning see Bloom, The Anxiety of Influence: A Theory of Poetry (London: Oxford University Press, 1975), pp. 19-45, 139-55, hereafter AI. There is, nonetheless ...
... Harold Bloom's idea of apophrades. For Bloom's explication of poetic misprisoning see Bloom, The Anxiety of Influence: A Theory of Poetry (London: Oxford University Press, 1975), pp. 19-45, 139-55, hereafter AI. There is, nonetheless ...
Página 1986
... Z Thus Spoke Zarathustra: A Book For Everyone and No One. Trans. R. J. Hollingdale. (Harmondsworth, Middlesex: Penguin, 1969). Selected. List. of. Other. Frequently. Cited. Critical. Works: AI Harold Bloom, The Anxiety of Influence: A ...
... Z Thus Spoke Zarathustra: A Book For Everyone and No One. Trans. R. J. Hollingdale. (Harmondsworth, Middlesex: Penguin, 1969). Selected. List. of. Other. Frequently. Cited. Critical. Works: AI Harold Bloom, The Anxiety of Influence: A ...
Página 1987
Nietzschean Subjectivity and Genre Mark Sandy. AI Harold Bloom, The Anxiety of Influence: A Theory of Poetry. (London: Oxford University Press, 1975). AS Andrew Bowie, Aesthetics and Subjectivity: From Kant to Nietzsche. 1990 ...
Nietzschean Subjectivity and Genre Mark Sandy. AI Harold Bloom, The Anxiety of Influence: A Theory of Poetry. (London: Oxford University Press, 1975). AS Andrew Bowie, Aesthetics and Subjectivity: From Kant to Nietzsche. 1990 ...
Página 1988
... Harold Bloom. A Map of Misreading. (New York: Oxford University Press, 1975). MP Jacques Derrida, Margins of Philosophy. Trans. Alan Bass. (Chicago: University of Chicago Press, 1982). N Walter Kaufmann, Nietzsche: Philosopher ...
... Harold Bloom. A Map of Misreading. (New York: Oxford University Press, 1975). MP Jacques Derrida, Margins of Philosophy. Trans. Alan Bass. (Chicago: University of Chicago Press, 1982). N Walter Kaufmann, Nietzsche: Philosopher ...
Contenido
1974 | |
1991 | |
Tragic Romance | |
Lyrical Transgressions | |
Posthumous Meditations | |
Poetic Ruins | |
Bibliography | |
Index | |
Otras ediciones - Ver todas
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista de fragmentos - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
Adonais Adonais's aesthetic Alastor Apollo Apollonian Autumn beauty become Birth of Tragedy bower Cambridge University Press creative critical dark death Deconstruction Derrida Dionysian dream Endymion eternity Eve of St existence figure Friedrich Nietzsche Harold Bloom hereafter historical human Hyperion fragments ideal idealised illusory imaginative immortal interpretation Isabella Jacques Derrida John Keats Keats and Shelley Keats's Keats's Endymion Keats's Hyperion Keats's Ode Keats's poetic Keatsian Lamia life's literary London lyric metaphysical mode mortal mutability narrative narrator nature Nietzsche's Nietzschean nightingale Ode to Psyche philosophical poem poet poet's poetic fictions poetic identity poetic language Poetry posthumous poststructural Psyche Psyche's R. J. Hollingdale reader reading reality rhetorical romantic Rousseau's scepticism Shelley's poet-figure Shelley's The Triumph Shelleyan silent skylark Spirit stanza Studies in Romanticism textual thou Tilottama Rajan Tintern Abbey Titanic tragedy tragic Trans transcendental transformation tropes truth Übermensch vision voice Walter Kaufmann witch Wordsworth's writing