Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreRoutledge, 2017 M03 2 - 160 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
Dentro del libro
Resultados 1-5 de 86
Página 1975
... Keats, The Fall of Hyperion) There is an intriguing affinity between the words of Keats's fallen Saturn, who asks 'Cannot I Create', Shelley's observation that 'poetry...creates for us a being within our being', and Nietzsche's claim ...
... Keats, The Fall of Hyperion) There is an intriguing affinity between the words of Keats's fallen Saturn, who asks 'Cannot I Create', Shelley's observation that 'poetry...creates for us a being within our being', and Nietzsche's claim ...
Página 1978
... Keats's The Eve of St. Mark and, finally, their fragment poems. These are formal (with the exception of the penultimate chapter) and thematic groupings; they subject known works by Keats and Shelley to comparative analysis from a ...
... Keats's The Eve of St. Mark and, finally, their fragment poems. These are formal (with the exception of the penultimate chapter) and thematic groupings; they subject known works by Keats and Shelley to comparative analysis from a ...
Página 1979
... Keats Keats ( Chapter Two ) . Keats's correspondence and Shelley's A Defence of Poetry are read in relation to Nietzschean philosophy to elaborate my conceptual basis for those comparative readings of Keats and Shelley in later chapters ...
... Keats Keats ( Chapter Two ) . Keats's correspondence and Shelley's A Defence of Poetry are read in relation to Nietzschean philosophy to elaborate my conceptual basis for those comparative readings of Keats and Shelley in later chapters ...
Página 1980
... Keats's major odes and Shelley's lyric poetry as a conflict between poetic identity , art , and existence ( Chapter Four ) . I contend that the latent scepticism present in Keats's ' Ode to Psyche ' and Shelley's ' Hymn to Intellectual ...
... Keats's major odes and Shelley's lyric poetry as a conflict between poetic identity , art , and existence ( Chapter Four ) . I contend that the latent scepticism present in Keats's ' Ode to Psyche ' and Shelley's ' Hymn to Intellectual ...
Página 1981
Nietzschean Subjectivity and Genre Mark Sandy. death. In this context, Keats's fragment, The Eve of St. Mark, is read as a self-reflexive meditation on Keats's own crisis about mortality, probable audience, and posthumous reputation ...
Nietzschean Subjectivity and Genre Mark Sandy. death. In this context, Keats's fragment, The Eve of St. Mark, is read as a self-reflexive meditation on Keats's own crisis about mortality, probable audience, and posthumous reputation ...
Contenido
1974 | |
1991 | |
Tragic Romance | |
Lyrical Transgressions | |
Posthumous Meditations | |
Poetic Ruins | |
Bibliography | |
Index | |
Otras ediciones - Ver todas
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista de fragmentos - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
Adonais Adonais's aesthetic Alastor Apollo Apollonian Autumn beauty become Birth of Tragedy bower Cambridge University Press creative critical dark death Deconstruction Derrida Dionysian dream Endymion eternity Eve of St existence figure Friedrich Nietzsche Harold Bloom hereafter historical human Hyperion fragments ideal idealised illusory imaginative immortal interpretation Isabella Jacques Derrida John Keats Keats and Shelley Keats's Keats's Endymion Keats's Hyperion Keats's Ode Keats's poetic Keatsian Lamia life's literary London lyric metaphysical mode mortal mutability narrative narrator nature Nietzsche's Nietzschean nightingale Ode to Psyche philosophical poem poet poet's poetic fictions poetic identity poetic language Poetry posthumous poststructural Psyche Psyche's R. J. Hollingdale reader reading reality rhetorical romantic Rousseau's scepticism Shelley's poet-figure Shelley's The Triumph Shelleyan silent skylark Spirit stanza Studies in Romanticism textual thou Tilottama Rajan Tintern Abbey Titanic tragedy tragic Trans transcendental transformation tropes truth Übermensch vision voice Walter Kaufmann witch Wordsworth's writing