Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreRoutledge, 2017 M03 2 - 160 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
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Página 1973
Nietzschean Subjectivity and Genre Mark Sandy. Contents. Cover Half Title Dedication Title Copyright Contents General Editors' Preface Preface Acknowledgements List of Abbreviations 1 Reading Nietzsche's Anti-Romanticism 2 Fictions of the ...
Nietzschean Subjectivity and Genre Mark Sandy. Contents. Cover Half Title Dedication Title Copyright Contents General Editors' Preface Preface Acknowledgements List of Abbreviations 1 Reading Nietzsche's Anti-Romanticism 2 Fictions of the ...
Página 1975
Nietzschean Subjectivity and Genre Mark Sandy. 'To See as a God Sees'. Preface. (John Keats, The Fall of Hyperion) ... Nietzsche's claim that 'we want to be the poets of our lives'.1 In making this literary and intellectual connection my ...
Nietzschean Subjectivity and Genre Mark Sandy. 'To See as a God Sees'. Preface. (John Keats, The Fall of Hyperion) ... Nietzsche's claim that 'we want to be the poets of our lives'.1 In making this literary and intellectual connection my ...
Página 1976
Nietzschean Subjectivity and Genre Mark Sandy. Nehemas's Nietzsche: Life as Literature (1985), Julian Young's ... Nietzschean understanding of the self as a site of conflict. A substantial part of the book offers Nietzschean ...
Nietzschean Subjectivity and Genre Mark Sandy. Nehemas's Nietzsche: Life as Literature (1985), Julian Young's ... Nietzschean understanding of the self as a site of conflict. A substantial part of the book offers Nietzschean ...
Página 1977
... Nietzschean terminology and concepts are now endemic to modern explanations of romantic sensibilities and aesthetics. Nietzsche's centrality to this book and to romantic studies points to some affinities my project shares with Tilottama ...
... Nietzschean terminology and concepts are now endemic to modern explanations of romantic sensibilities and aesthetics. Nietzsche's centrality to this book and to romantic studies points to some affinities my project shares with Tilottama ...
Página 1978
Nietzschean Subjectivity and Genre Mark Sandy. The comparative readings of Keats and Shelley within the following chapters are arranged according to genre; their prose writing about subjectivity and poetics; their early Dionysian ...
Nietzschean Subjectivity and Genre Mark Sandy. The comparative readings of Keats and Shelley within the following chapters are arranged according to genre; their prose writing about subjectivity and poetics; their early Dionysian ...
Contenido
1974 | |
1991 | |
Tragic Romance | |
Lyrical Transgressions | |
Posthumous Meditations | |
Poetic Ruins | |
Bibliography | |
Index | |
Otras ediciones - Ver todas
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista de fragmentos - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
Adonais Adonais's aesthetic Alastor Apollo Apollonian Autumn beauty become Birth of Tragedy bower Cambridge University Press creative critical dark death Deconstruction Derrida Dionysian dream Endymion eternity Eve of St existence figure Friedrich Nietzsche Harold Bloom hereafter historical human Hyperion fragments ideal idealised illusory imaginative immortal interpretation Isabella Jacques Derrida John Keats Keats and Shelley Keats's Keats's Endymion Keats's Hyperion Keats's Ode Keats's poetic Keatsian Lamia life's literary London lyric metaphysical mode mortal mutability narrative narrator nature Nietzsche's Nietzschean nightingale Ode to Psyche philosophical poem poet poet's poetic fictions poetic identity poetic language Poetry posthumous poststructural Psyche Psyche's R. J. Hollingdale reader reading reality rhetorical romantic Rousseau's scepticism Shelley's poet-figure Shelley's The Triumph Shelleyan silent skylark Spirit stanza Studies in Romanticism textual thou Tilottama Rajan Tintern Abbey Titanic tragedy tragic Trans transcendental transformation tropes truth Übermensch vision voice Walter Kaufmann witch Wordsworth's writing