Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreRoutledge, 2017 M03 2 - 160 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
Dentro del libro
Resultados 1-5 de 93
Página 1975
... poetry and prose of Keats and Shelley. In turn, the investigation of the poetic subject by Keats and Shelley can be read as anticipating concerns of Nietzsche's philosophy. Keats, Shelley and Nietzsche conceive of the self as multiple ...
... poetry and prose of Keats and Shelley. In turn, the investigation of the poetic subject by Keats and Shelley can be read as anticipating concerns of Nietzsche's philosophy. Keats, Shelley and Nietzsche conceive of the self as multiple ...
Página 1976
... poets. Yet this critical venture is also born of a sense that there are, indeed, surprisingly few comparative commentaries on Keats and Shelley. Studies of second- generation romantic poetry have, in the main, elected instead to focus ...
... poets. Yet this critical venture is also born of a sense that there are, indeed, surprisingly few comparative commentaries on Keats and Shelley. Studies of second- generation romantic poetry have, in the main, elected instead to focus ...
Página 1977
... poetic figuration and subjectivity at play in the writings of late British Romanticism and their participation in wider ... Poetry of Life (1987), avoids presupposing that a text is blind to its own artistic effects and meaning. Where ...
... poetic figuration and subjectivity at play in the writings of late British Romanticism and their participation in wider ... Poetry of Life (1987), avoids presupposing that a text is blind to its own artistic effects and meaning. Where ...
Página 1978
... poetic method of staging and framing the psychological theatre of the mind that his other poetry so often plays out. For their part, critics of Shelley have more readily traced inter- connections between Shelley's lyrical dramas and ...
... poetic method of staging and framing the psychological theatre of the mind that his other poetry so often plays out. For their part, critics of Shelley have more readily traced inter- connections between Shelley's lyrical dramas and ...
Página 1979
... Poetry grounds poetry as a discourse capable of subordinating all systems of linguistic signs under the single banner of poetics in order to liberate conceptions of the self from dogmatism and reductive rationalism . Although Keats ...
... Poetry grounds poetry as a discourse capable of subordinating all systems of linguistic signs under the single banner of poetics in order to liberate conceptions of the self from dogmatism and reductive rationalism . Although Keats ...
Contenido
1974 | |
1991 | |
Tragic Romance | |
Lyrical Transgressions | |
Posthumous Meditations | |
Poetic Ruins | |
Bibliography | |
Index | |
Otras ediciones - Ver todas
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista de fragmentos - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
Adonais Adonais's aesthetic Alastor Apollo Apollonian Autumn beauty become Birth of Tragedy bower Cambridge University Press creative critical dark death Deconstruction Derrida Dionysian dream Endymion eternity Eve of St existence figure Friedrich Nietzsche Harold Bloom hereafter historical human Hyperion fragments ideal idealised illusory imaginative immortal interpretation Isabella Jacques Derrida John Keats Keats and Shelley Keats's Keats's Endymion Keats's Hyperion Keats's Ode Keats's poetic Keatsian Lamia life's literary London lyric metaphysical mode mortal mutability narrative narrator nature Nietzsche's Nietzschean nightingale Ode to Psyche philosophical poem poet poet's poetic fictions poetic identity poetic language Poetry posthumous poststructural Psyche Psyche's R. J. Hollingdale reader reading reality rhetorical romantic Rousseau's scepticism Shelley's poet-figure Shelley's The Triumph Shelleyan silent skylark Spirit stanza Studies in Romanticism textual thou Tilottama Rajan Tintern Abbey Titanic tragedy tragic Trans transcendental transformation tropes truth Übermensch vision voice Walter Kaufmann witch Wordsworth's writing