Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreRoutledge, 2017 M03 2 - 160 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
Dentro del libro
Resultados 1-5 de 62
Página 1980
... death and death and his reluctant reconciliation with his own future extinction . This crisis of poetics and subjectivity force Shelley to fuse biography and history together in an act of forgetting biographical and historical ...
... death and death and his reluctant reconciliation with his own future extinction . This crisis of poetics and subjectivity force Shelley to fuse biography and history together in an act of forgetting biographical and historical ...
Página 1981
Nietzschean Subjectivity and Genre Mark Sandy. death. In this context, Keats's fragment, The Eve of St. Mark, is read as a self-reflexive meditation on Keats's own crisis about mortality, probable audience, and posthumous reputation ...
Nietzschean Subjectivity and Genre Mark Sandy. death. In this context, Keats's fragment, The Eve of St. Mark, is read as a self-reflexive meditation on Keats's own crisis about mortality, probable audience, and posthumous reputation ...
Página 1987
... Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida. (Edinburgh: Edinburgh University Press, 1992). ER Timothy Clark, Embodying Revolution: The Figure of the Poet in Shelley. (Oxford: Clarendon ...
... Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida. (Edinburgh: Edinburgh University Press, 1992). ER Timothy Clark, Embodying Revolution: The Figure of the Poet in Shelley. (Oxford: Clarendon ...
Página 2000
... death of god both voices and shapes humanity's experience. In these terms, Nietzsche's madman is a version of the isolated romantic figure of the visionary poet, which Keats conceives of as a 'physician to all men' (The Fall of Hyperion ...
... death of god both voices and shapes humanity's experience. In these terms, Nietzsche's madman is a version of the isolated romantic figure of the visionary poet, which Keats conceives of as a 'physician to all men' (The Fall of Hyperion ...
Página 2001
... death. Nietzsche's own anxiety over his cultural influence from beyond the grave provided the substance for and impetus behind much of his philosophical speculation. Investment by Nietzsche in the future posterity of his own writing ...
... death. Nietzsche's own anxiety over his cultural influence from beyond the grave provided the substance for and impetus behind much of his philosophical speculation. Investment by Nietzsche in the future posterity of his own writing ...
Contenido
1974 | |
1991 | |
Tragic Romance | |
Lyrical Transgressions | |
Posthumous Meditations | |
Poetic Ruins | |
Bibliography | |
Index | |
Otras ediciones - Ver todas
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista de fragmentos - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
Adonais Adonais's aesthetic Alastor Apollo Apollonian Autumn beauty become Birth of Tragedy bower Cambridge University Press creative critical dark death Deconstruction Derrida Dionysian dream Endymion eternity Eve of St existence figure Friedrich Nietzsche Harold Bloom hereafter historical human Hyperion fragments ideal idealised illusory imaginative immortal interpretation Isabella Jacques Derrida John Keats Keats and Shelley Keats's Keats's Endymion Keats's Hyperion Keats's Ode Keats's poetic Keatsian Lamia life's literary London lyric metaphysical mode mortal mutability narrative narrator nature Nietzsche's Nietzschean nightingale Ode to Psyche philosophical poem poet poet's poetic fictions poetic identity poetic language Poetry posthumous poststructural Psyche Psyche's R. J. Hollingdale reader reading reality rhetorical romantic Rousseau's scepticism Shelley's poet-figure Shelley's The Triumph Shelleyan silent skylark Spirit stanza Studies in Romanticism textual thou Tilottama Rajan Tintern Abbey Titanic tragedy tragic Trans transcendental transformation tropes truth Übermensch vision voice Walter Kaufmann witch Wordsworth's writing