Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and GenreRoutledge, 2017 M03 2 - 160 páginas Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets. |
Dentro del libro
Resultados 1-5 de 69
Página 1982
... Figures of Understanding in Romantic Theory and Practice (Ithaca, NY: Cornell University Press, 1990), hereafter SR. 7See Harry R. Beaudry, The English Theatre and John Keats (Salzburg: University of Salzburg Press, 1973) for a book ...
... Figures of Understanding in Romantic Theory and Practice (Ithaca, NY: Cornell University Press, 1990), hereafter SR. 7See Harry R. Beaudry, The English Theatre and John Keats (Salzburg: University of Salzburg Press, 1973) for a book ...
Página 1987
... Figures: Rhetorical Readings in the Romantic Tradition. (Baltimore: Johns Hopkins University Press, 1986). Dl Tilottama ... Figure of the Poet in Shelley. (Oxford: Clarendon Press, 1989). FC Susan Wolfson, Formal Charges: The Shaping of ...
... Figures: Rhetorical Readings in the Romantic Tradition. (Baltimore: Johns Hopkins University Press, 1986). Dl Tilottama ... Figure of the Poet in Shelley. (Oxford: Clarendon Press, 1989). FC Susan Wolfson, Formal Charges: The Shaping of ...
Página 1989
... Figures of Understanding in Romantic Theory and Practice. (Ithaca, NY: Cornell University Press, 1990). SU David Ferris. Silent Urns: Romanticism, Hellenism, Modernity. (Stanford: Stanford University Press, 2000). SW Grant F. Scott, The ...
... Figures of Understanding in Romantic Theory and Practice. (Ithaca, NY: Cornell University Press, 1990). SU David Ferris. Silent Urns: Romanticism, Hellenism, Modernity. (Stanford: Stanford University Press, 2000). SW Grant F. Scott, The ...
Página 1993
... figure,14 New Historicism has equally interrogated these romantic typologies in a bid to evade the hermeneutic circularity of past critical interpretations. For Jerome J. McGann, criticism that fails to 'pass through those Romantic ...
... figure,14 New Historicism has equally interrogated these romantic typologies in a bid to evade the hermeneutic circularity of past critical interpretations. For Jerome J. McGann, criticism that fails to 'pass through those Romantic ...
Página 2000
... figure of Dionysus is apparently yet another anti-romantic gesture. Ecce Homo's final line transgresses ... figure, whose pronouncement of the death of god both voices and shapes humanity's experience. In these terms, Nietzsche's madman ...
... figure of Dionysus is apparently yet another anti-romantic gesture. Ecce Homo's final line transgresses ... figure, whose pronouncement of the death of god both voices and shapes humanity's experience. In these terms, Nietzsche's madman ...
Contenido
1974 | |
1991 | |
Tragic Romance | |
Lyrical Transgressions | |
Posthumous Meditations | |
Poetic Ruins | |
Bibliography | |
Index | |
Otras ediciones - Ver todas
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Vista de fragmentos - 2005 |
Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and ... Mark Sandy Sin vista previa disponible - 2019 |
Términos y frases comunes
Adonais Adonais's aesthetic Alastor Apollo Apollonian Autumn beauty become Birth of Tragedy bower Cambridge University Press creative critical dark death Deconstruction Derrida Dionysian dream Endymion eternity Eve of St existence figure Friedrich Nietzsche Harold Bloom hereafter historical human Hyperion fragments ideal idealised illusory imaginative immortal interpretation Isabella Jacques Derrida John Keats Keats and Shelley Keats's Keats's Endymion Keats's Hyperion Keats's Ode Keats's poetic Keatsian Lamia life's literary London lyric metaphysical mode mortal mutability narrative narrator nature Nietzsche's Nietzschean nightingale Ode to Psyche philosophical poem poet poet's poetic fictions poetic identity poetic language Poetry posthumous poststructural Psyche Psyche's R. J. Hollingdale reader reading reality rhetorical romantic Rousseau's scepticism Shelley's poet-figure Shelley's The Triumph Shelleyan silent skylark Spirit stanza Studies in Romanticism textual thou Tilottama Rajan Tintern Abbey Titanic tragedy tragic Trans transcendental transformation tropes truth Übermensch vision voice Walter Kaufmann witch Wordsworth's writing