"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 páginas |
Dentro del libro
Resultados 1-3 de 9
Página 9
... understanding of the witch figures in drama . However , such an introduction to witchcraft can only touch on some important features without offering a detailed analysis . Part 1 Witchcraft in the European Context A great amount 9.
... understanding of the witch figures in drama . However , such an introduction to witchcraft can only touch on some important features without offering a detailed analysis . Part 1 Witchcraft in the European Context A great amount 9.
Página 379
... understanding of the phrase , the spirits are asked to take her milk as the gall they feed on ( 112 ) . See also Braunmuller , Mac . 1.5.46n . 439 Tetzeli stresses the ambiguity of her invocation of evil ( cf. Magie 102–03 ) . 440 ...
... understanding of the phrase , the spirits are asked to take her milk as the gall they feed on ( 112 ) . See also Braunmuller , Mac . 1.5.46n . 439 Tetzeli stresses the ambiguity of her invocation of evil ( cf. Magie 102–03 ) . 440 ...
Página 390
... understanding of the sisters , who clearly per- ceive themselves as malignant beings . One has to accept the fact that Shakespeare intended them to be regarded as evil . 520 Cf. Eagleton 2. Kiernan Ryan similarly interprets them in ...
... understanding of the sisters , who clearly per- ceive themselves as malignant beings . One has to accept the fact that Shakespeare intended them to be regarded as evil . 520 Cf. Eagleton 2. Kiernan Ryan similarly interprets them in ...
Contenido
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Derechos de autor | |
Otras 4 secciones no mostradas
Términos y frases comunes
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women