Olive Schreiner's Fiction: Landscape and PowerRutgers University Press, 1991 - 201 páginas Olive Schreiner is one of those women writersÐÐsuch as Germaine de Stael, George Sand, or Margaret FullerÐÐwho has been more famous for her life, circle of friends, and proto-feminism than for her writings. These women are all known about but relatively unkown when it comes to a close study of their fiction. With Olive Schreiner's Fiction, Gerald Monsman has rectified that situation. Schreiner embodies an unusual combination of feminism and colonial Victorianism. The daughter of missionary parents in South Africa, she noticed early in her life that the Gospel's social message was not consistent with the behavior or cultural activity of the imperialists and empire builders by whom she was surrounded. She saw quite clearly the ways in which her society used religion to justify cultural domination and exploitation of both people and land and the ways in which appeals to a higher cause rationalized outright greed. In her fiction, Schreiner tried to use the master's own tools against him. Her insight, as Monsman sees it, is first to rearticulate the master plot--the religious foundation of equality. Social morality, based on that foundation, necessarily demands that one heed more than the patriarchal story and that one listen to the voices and stories told by children, women, the land, and all its inhabitants. Monsman charts the topography of her imagery within her most significant imaginative works, and provides one of the first serious considerations of Schreiner's fiction. |
Dentro del libro
Resultados 1-3 de 33
Página 138
... Rebekah's story transpires in a context not of parental absence but of momentary neglect ; little Rebekah must fend for herself owing to her parents ' distress and distraction . Unlike the situation with Jannita or Waldo and Lyndall ...
... Rebekah's story transpires in a context not of parental absence but of momentary neglect ; little Rebekah must fend for herself owing to her parents ' distress and distraction . Unlike the situation with Jannita or Waldo and Lyndall ...
Página 158
... Rebekah can no longer subscribe to the myth that natives do not have emo- tions like hers . ( This is why Schreiner who , not unlike Rebekah , had from her " earliest years . . . heard of bloodshed and battles , ' regarded her fiction ...
... Rebekah can no longer subscribe to the myth that natives do not have emo- tions like hers . ( This is why Schreiner who , not unlike Rebekah , had from her " earliest years . . . heard of bloodshed and battles , ' regarded her fiction ...
Página 160
... Rebekah must find a way to escape the impoverishment symbolized by the empty mouse house . By exploiting his supremacy as male and British , Frank has thrown the races apart ; Rebekah must now throw them together again . But Rebekah's ...
... Rebekah must find a way to escape the impoverishment symbolized by the empty mouse house . By exploiting his supremacy as male and British , Frank has thrown the races apart ; Rebekah must now throw them together again . But Rebekah's ...
Contenido
Colony and Metropolis | 1 |
Dream Life and Undine | 26 |
The Story and Its Teller | 77 |
Derechos de autor | |
Otras 1 secciones no mostradas
Términos y frases comunes
African Farm Afrikaner allegory artistic autobiographical beauty becomes Bertie Bertie's Bird of Truth Blenkins Blenkins's Boer British Cecil Rhodes characters child colonial contrast Cronwright-Schreiner cultural dead death described Diamond Fields dominant dreams Eighteen-Ninety-Nine Elaine Showalter embodies escape Esther fallen father feel freedom George Eliot Gregory Gregory Rose hand Havelock Ellis human Ibid ideal idol imagery imagination imperial innocence intellectual iron Jannita John-Ferdinand kopje land landscape little Rebekah living looked Lyndall Lyndall's male marriage meaning missionary moonlight moral mother narrative narrator natives nature never nigger nineteenth-century Olive Schreiner opening oppression Otto patriarchal perhaps political Queen Victoria racial reader reality Rebekah reflected religious role Sannie Sartor Resartus scene Schreiner's fiction Schreiner's novel seeds seems sense sexual social society soul spiritual story structure suggests sunlight symbol temporal things tion tree Trooper Peter Undine Undine's Veronica victim Victorian vision voice Waldo woman women