Maurice Evans' G. I. Production of HamletDoubleday, Incorporated, 1946 - 187 páginas |
Dentro del libro
Resultados 1-3 de 45
Página 15
... play . If it was worth doing at all , it would have to be made intrinsically entertaining , a quality which one does not associate especially with a classic . Yet always there was the fact to be remembered that if Hamlet had endured as ...
... play . If it was worth doing at all , it would have to be made intrinsically entertaining , a quality which one does not associate especially with a classic . Yet always there was the fact to be remembered that if Hamlet had endured as ...
Página 16
... play , full of the manners of his own Renaissance times . As a poet , of course , his vision was timeless , but as a playwright , in this instance , he deliberately emphasized the modernity of the theme of the play in order to ...
... play , full of the manners of his own Renaissance times . As a poet , of course , his vision was timeless , but as a playwright , in this instance , he deliberately emphasized the modernity of the theme of the play in order to ...
Página 21
... play and be so close in gen- eral design to a modern soldier's greatcoat and cap that one would think for the moment that the play was being played in present times . When it came to considering the Ghost's appearance , it followed that ...
... play and be so close in gen- eral design to a modern soldier's greatcoat and cap that one would think for the moment that the play was being played in present times . When it came to considering the Ghost's appearance , it followed that ...
Términos y frases comunes
actors answer audience bear believe BERNARDO blood body CAPTAIN castle cause close comes command court dead dear death Denmark doors draw drink enters eyes face falls father follow Fortinbras friends GHOST give Guildenstern hand hast hath head hear heard heart heaven hold HORATIO HORATIO HAMLET KING lady Laertes leave letters light live look lord madness MARCELLUS MARCELLUS HAMLET marry matter means mother moves murder nature needs never night once OPHELIA OSRIC Photograph play PLAYER POLONIUS pray present Production QUEEN rest revenge REYNALDO Rising ROSENCRANTZ Rosencrantz and Guildenstern Scene seated seen sits sleep soldier soul speak speech spirit stage stand Starts steps sweet sword tell thanks thee thing thou thoughts throne true turns villain voice