Maurice Evans' G. I. Production of HamletDoubleday, Incorporated, 1946 - 187 páginas |
Dentro del libro
Resultados 1-3 de 16
Página 10
... stage . In the intervals between his appearances , however , Marcellus and Horatio must wrestle in the semidarkness to project the long and intricate story of the Fortinbras , père et fils , and their relationship to the kingdom of ...
... stage . In the intervals between his appearances , however , Marcellus and Horatio must wrestle in the semidarkness to project the long and intricate story of the Fortinbras , père et fils , and their relationship to the kingdom of ...
Página 19
... stage Hamlet in the Elizabethan manner on a bare stage and in the clothing of the period . In many ways this would have minimized our practical problems and relieved us of the monumental difficulties of gathering materials for scenery ...
... stage Hamlet in the Elizabethan manner on a bare stage and in the clothing of the period . In many ways this would have minimized our practical problems and relieved us of the monumental difficulties of gathering materials for scenery ...
Página 29
... stage lights slowly reveal an en- closed guard post on the castle rooftop , one corner of which is illuminated by a single lantern . In this pool of light a coal brazier and a stone bench are visible . An open arch in the center of the ...
... stage lights slowly reveal an en- closed guard post on the castle rooftop , one corner of which is illuminated by a single lantern . In this pool of light a coal brazier and a stone bench are visible . An open arch in the center of the ...
Términos y frases comunes
actors answer audience bear believe BERNARDO blood body CAPTAIN castle cause close comes command court dead dear death Denmark doors draw drink enters eyes face falls father follow Fortinbras friends GHOST give Guildenstern hand hast hath head hear heard heart heaven hold HORATIO HORATIO HAMLET KING lady Laertes leave letters light live look lord madness MARCELLUS MARCELLUS HAMLET marry matter means mother moves murder nature needs never night once OPHELIA OSRIC Photograph play PLAYER POLONIUS pray present Production QUEEN rest revenge REYNALDO Rising ROSENCRANTZ Rosencrantz and Guildenstern Scene seated seen sits sleep soldier soul speak speech spirit stage stand Starts steps sweet sword tell thanks thee thing thou thoughts throne true turns villain voice