The Works of Shakespeare, Volumen35Methuen, 1918 |
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Página v
... Olivia . Some sort of argument in favour of the reading Castiliano ( ? Castiglione ) Volto ( I. iii . 44 ) is stated on p . 180 ; also , by a reference to Apolonius and Silla ( note on III . iv . 210 ) , I think I may have established ...
... Olivia . Some sort of argument in favour of the reading Castiliano ( ? Castiglione ) Volto ( I. iii . 44 ) is stated on p . 180 ; also , by a reference to Apolonius and Silla ( note on III . iv . 210 ) , I think I may have established ...
Página xvii
... Olivia was a Queen of Thessaly in Part I. of Emanuel Forde's Parismus , the Renowned Prince of Bohemia , and that Violetta was the name of the lady who followed her lover in the disguise of a page , and like Viola was shipwrecked . The ...
... Olivia was a Queen of Thessaly in Part I. of Emanuel Forde's Parismus , the Renowned Prince of Bohemia , and that Violetta was the name of the lady who followed her lover in the disguise of a page , and like Viola was shipwrecked . The ...
Página xx
... Olivia and adapt the name Violetta . The contingency that Ford copied from Shake- speare is scarcely worth considering . The same year , 1598 , produced the translation of Linschoten's Voyages , which contained the map that Steevens ...
... Olivia and adapt the name Violetta . The contingency that Ford copied from Shake- speare is scarcely worth considering . The same year , 1598 , produced the translation of Linschoten's Voyages , which contained the map that Steevens ...
Página xxx
... Olivia and Sebastian . " 2 This is indirectly noticed by Johnson : " The marriage of Olivia , and the succeeding perplexity , though well enough contrived to divert on the stage , wants credi- bility , and fails to produce the proper ...
... Olivia and Sebastian . " 2 This is indirectly noticed by Johnson : " The marriage of Olivia , and the succeeding perplexity , though well enough contrived to divert on the stage , wants credi- bility , and fails to produce the proper ...
Página xxxv
... Olivia , Viola , Sebastian , Sir Toby Belch , Sir Andrew Aguecheek , Malvolio , Maria ; with the possible exception of Love's Labour's Lost and As You Like It , there is no such proportion in any other play . As to the types of love ...
... Olivia , Viola , Sebastian , Sir Toby Belch , Sir Andrew Aguecheek , Malvolio , Maria ; with the possible exception of Love's Labour's Lost and As You Like It , there is no such proportion in any other play . As to the types of love ...
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Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright