The Works of Shakespeare, Volumen35Methuen, 1918 |
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Página vii
... PLAY PAGE ix xviii xxix TWELFTH NIGHT ; OR , WHAT YOU WILL TWELFTH NIGHT- APPENDIX I. - THE SOURCES OF ADDITIONAL . • · APPENDIX II .- ( a ) ACT II . SCENE IV . LINES 111-116 ( 6 ) ACT II . SCENE IV . LINE 114 · APPENDIX III . - ACT AND ...
... PLAY PAGE ix xviii xxix TWELFTH NIGHT ; OR , WHAT YOU WILL TWELFTH NIGHT- APPENDIX I. - THE SOURCES OF ADDITIONAL . • · APPENDIX II .- ( a ) ACT II . SCENE IV . LINES 111-116 ( 6 ) ACT II . SCENE IV . LINE 114 · APPENDIX III . - ACT AND ...
Página x
... play , he doubtless found the name Malevolti , and changed it , as I believe , to Ague- cheek . For Malvolio , see ... Plays Confuted ( 1581 ) that comedies in Latin , French , Italian , and Spanish had been thoroughly ransacked to ...
... play , he doubtless found the name Malevolti , and changed it , as I believe , to Ague- cheek . For Malvolio , see ... Plays Confuted ( 1581 ) that comedies in Latin , French , Italian , and Spanish had been thoroughly ransacked to ...
Página xi
... play , and the title of the volume containing it is Il Sacrificio , Comedia de gl ' Intronati , a fuller account of which is given in Appendix I. pp . 177 sqq . But Hunter was led on to this discovery by the follow- ing passage in the ...
... play , and the title of the volume containing it is Il Sacrificio , Comedia de gl ' Intronati , a fuller account of which is given in Appendix I. pp . 177 sqq . But Hunter was led on to this discovery by the follow- ing passage in the ...
Página xii
... play itself affords no very material proof of having been used by Shakespeare . In this case , however , we have to note one item of evidence which is almost convincing ( especially in connection with Hunter's volume of five plays which ...
... play itself affords no very material proof of having been used by Shakespeare . In this case , however , we have to note one item of evidence which is almost convincing ( especially in connection with Hunter's volume of five plays which ...
Página xiv
... play . Knowing Shakespeare's addiction to an authority , I like to place first among sug- 1 1 Pp . 188 sqq . 2 Appendix I. pp . 180 sqq . • See note on II . v . 41 . gestions the Italian phrase , “ la Notte di Beffana xiv INTRODUCTION.
... play . Knowing Shakespeare's addiction to an authority , I like to place first among sug- 1 1 Pp . 188 sqq . 2 Appendix I. pp . 180 sqq . • See note on II . v . 41 . gestions the Italian phrase , “ la Notte di Beffana xiv INTRODUCTION.
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Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright