The Works of Shakespeare, Volumen35Methuen, 1918 |
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Página v
... regard to improvements in the text which are aimed at in this edition , I should mention that , wherever possible , I have been faithful to the Folio of 1623 ; I have made a few changes , mostly in matters of punctuation ; other and ...
... regard to improvements in the text which are aimed at in this edition , I should mention that , wherever possible , I have been faithful to the Folio of 1623 ; I have made a few changes , mostly in matters of punctuation ; other and ...
Página vi
... information in regard to The Buggbears ( p . xi ) . I may note that a good deal of material has been added both in commentary and annotations . CONTENTS INTRODUCTION- PART I. SOURCES OF TWELFTH NIGHT PART II vi PREFATORY NOTE.
... information in regard to The Buggbears ( p . xi ) . I may note that a good deal of material has been added both in commentary and annotations . CONTENTS INTRODUCTION- PART I. SOURCES OF TWELFTH NIGHT PART II vi PREFATORY NOTE.
Página ix
... regard Shakespeare as a writer of impulse rather than premeditation ; 1 the fact is that almost throughout the whole period of his authorship he combined a marvellous spontaneity with an equally marvellous discipline of thought and ...
... regard Shakespeare as a writer of impulse rather than premeditation ; 1 the fact is that almost throughout the whole period of his authorship he combined a marvellous spontaneity with an equally marvellous discipline of thought and ...
Página xxii
... regard the text as exceptionally pure ; but we are not certain of the state of the author's manuscript , nor of that of the acting copies of the drama ; and it is quite possible - we know it was sometimes the case that alterations or ...
... regard the text as exceptionally pure ; but we are not certain of the state of the author's manuscript , nor of that of the acting copies of the drama ; and it is quite possible - we know it was sometimes the case that alterations or ...
Página xxvi
... regard to its very worst and its very best there is often little to choose between an earlier and a later play , as may be seen from the following passages in A Mid- summer - Night's Dream and The Tempest ; in the first of these plays ...
... regard to its very worst and its very best there is often little to choose between an earlier and a later play , as may be seen from the following passages in A Mid- summer - Night's Dream and The Tempest ; in the first of these plays ...
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Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright