The Works of Shakespeare, Volumen35Methuen, 1918 |
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Página v
... remark " Tell me your mind " ( I. v . 212 ) must be given to Olivia . Some sort of argument in favour of the reading Castiliano ( ? Castiglione ) Volto ( I. iii . 44 ) is stated on p . 180 ; also , by a reference to Apolonius and Silla ...
... remark " Tell me your mind " ( I. v . 212 ) must be given to Olivia . Some sort of argument in favour of the reading Castiliano ( ? Castiglione ) Volto ( I. iii . 44 ) is stated on p . 180 ; also , by a reference to Apolonius and Silla ...
Página xxx
... remark of Montégut : " Mais chut ... nous sommes ici dans le monde de la féerie . " Another spot to be examined is the marriage of Sir Toby and Maria ; this difficulty will be dealt with in the notes . Next we examine the apparent ...
... remark of Montégut : " Mais chut ... nous sommes ici dans le monde de la féerie . " Another spot to be examined is the marriage of Sir Toby and Maria ; this difficulty will be dealt with in the notes . Next we examine the apparent ...
Página xxxii
... remarks may help to render us more impartial as we proceed to examine other spots - or seeming spots - in this dramatic sun . Some critics have blamed the play because it presents no striking delineation of character ; but again , I ...
... remarks may help to render us more impartial as we proceed to examine other spots - or seeming spots - in this dramatic sun . Some critics have blamed the play because it presents no striking delineation of character ; but again , I ...
Página xxxix
... remark that Shakespeare had just used the device in As You Like It , and naturally wished to vary it ; but another explanation may be found in the fact that , under the Twelfth Night conditions , Viola is saved from the complications of ...
... remark that Shakespeare had just used the device in As You Like It , and naturally wished to vary it ; but another explanation may be found in the fact that , under the Twelfth Night conditions , Viola is saved from the complications of ...
Página 2
... remarks see Introduction , p . xxxvii , footnote 3 , also note on 1. iii . 7 , where I refer to his description of Maria as " Confident to Olivia . " Add also that he styles Sir Andrew Aguecheek " a foolish Knight , pretending to Olivia ...
... remarks see Introduction , p . xxxvii , footnote 3 , also note on 1. iii . 7 , where I refer to his description of Maria as " Confident to Olivia . " Add also that he styles Sir Andrew Aguecheek " a foolish Knight , pretending to Olivia ...
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Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright