The Works of Shakespeare, Volumen35Methuen, 1918 |
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Página vi
... stands for the Folio of 1623 , and F 2 , F3 , F4 for the Second , Third , and Fourth Folios respectively . Ff indicates the agreement of the Second , Third , and Fourth Folios . References to plays other than Twelfth Night are to the ...
... stands for the Folio of 1623 , and F 2 , F3 , F4 for the Second , Third , and Fourth Folios respectively . Ff indicates the agreement of the Second , Third , and Fourth Folios . References to plays other than Twelfth Night are to the ...
Página xxvii
... stands the serio - ridiculous Malvolio . And now we are in a position to look back at the interval that lies between Bottom and Malvolio . Further , with the exception of the supernatural beings— and perhaps of Theseus - Bottom is the ...
... stands the serio - ridiculous Malvolio . And now we are in a position to look back at the interval that lies between Bottom and Malvolio . Further , with the exception of the supernatural beings— and perhaps of Theseus - Bottom is the ...
Página xxxv
... stand for the false and fickle love , as opposed to the true and constant ; or , and this more often , it may denote love absolutely . See note on I. i . 14. Of course these uses of the word are not confined to Shakespeare . As You Like ...
... stand for the false and fickle love , as opposed to the true and constant ; or , and this more often , it may denote love absolutely . See note on I. i . 14. Of course these uses of the word are not confined to Shakespeare . As You Like ...
Página xxxix
... stand in the half- light behind . Then we become conscious of a quiet harmony of colour and form that makes a picture full of charm , that grows on you as you study it , and becomes one of the possessions of your life . " But before ...
... stand in the half- light behind . Then we become conscious of a quiet harmony of colour and form that makes a picture full of charm , that grows on you as you study it , and becomes one of the possessions of your life . " But before ...
Página 9
... standing by . 11. driving ] drifting , as in Pericles , III . chorus 50 , " So up and down the poor ship drives . " 14. lived ] kept afloat ; the only in- stance of the word used as a nautical term by Shakespeare . 15. Arion ] Fasti ...
... standing by . 11. driving ] drifting , as in Pericles , III . chorus 50 , " So up and down the poor ship drives . " 14. lived ] kept afloat ; the only in- stance of the word used as a nautical term by Shakespeare . 15. Arion ] Fasti ...
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Abbott ANGELES Appendix Bandello Belleforest better Cæsar CALIFORN Camb Capell Cesario Clown Collier colour comedy Cotgrave Craig compares Craig quotes Cymbeline devil Dict Duke Dyce Exeunt Exit F reading Fabian favour Feste fool former note Furness galliard Gentlemen of Verona give Gl'Ingannati Halliwell Hamlet Handbook to Shakespeare Hanmer hath heart Henry Henry IV humour Illyria Italian Julius Cæsar Keightley King King Lear lady Latin lord Love's Labour's Lost madam Malone Malvolio Maria meaning merry metaphor note on line occurs Olivia Orsino Othello passage pavin phrase play poet Pope possibly probably reference Richard II Rowe scene Sebastian sense Shake Shakespeare Sir Andrew SIR TOBY BELCH Sir Toby's Sir Topas song speak speare's speech Steevens suggested sweet Tempest textual notes thee Theobald thou thought tion Twelfth Night UNIVERS UNIVERSI Viola word Wright