John KeatsHarold Bloom Chelsea House, 2007 - 272 páginas Romantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare. Keats' more recognizable poems include Ode on a Grecian Urn, Ode to a Nightingale, and Ode on Melancholy. Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
Dentro del libro
Resultados 1-3 de 5
Página 38
... have many common labels : earth and heaven , mortality and immortality , time and eternity , materiality and spirituality , the known and the unknown , the finite and the infinite , realism and romance , and so 888 38 Jeffrey Baker.
... have many common labels : earth and heaven , mortality and immortality , time and eternity , materiality and spirituality , the known and the unknown , the finite and the infinite , realism and romance , and so 888 38 Jeffrey Baker.
Página 169
... eternity : Cold Pastoral ! ( 41-45 ) The first five lines of the last stanza circle back to the introduction but differ significantly in their tone ; instead of honoring the aesthetic object , the speaker now rebukes it for its ...
... eternity : Cold Pastoral ! ( 41-45 ) The first five lines of the last stanza circle back to the introduction but differ significantly in their tone ; instead of honoring the aesthetic object , the speaker now rebukes it for its ...
Página 221
... eternity itself , somehow " a friend to man , " but not of much practical help , since the concluding aphorism ( “ Beauty is truth , truth beauty " ) , as compelling as its terms are , really makes very little sense . Both kinds of ...
... eternity itself , somehow " a friend to man , " but not of much practical help , since the concluding aphorism ( “ Beauty is truth , truth beauty " ) , as compelling as its terms are , really makes very little sense . Both kinds of ...
Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
Otras 6 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
aesthetic allegorical Apollo ballad beauty becomes belle dame Book bower Cockney School consciousness critics Cupid Dame sans Merci death diction dream early draft ekphrasis Elgin Marbles Endymion erotic essay Eve of St eyes faery Fall of Hyperion Fancy Fanny Brawne fetish gaze genre Grecian Urn happy honey human Hunt's imagination implied Indicator version Indolence John Keats Keats's Keats's poem Keatsian knight Lamia language Leigh Hunt letter lines literary look Madeline meaning Melancholy Milton Moneta myth narrative narrator natural Nightingale object Ode on Melancholy Ode to Psyche Petrarchan Petrarchan sonnet phrase poem's Poesy poet poet's poetic figures political Porphyro readers represents rhyme Romantic seems sense sestet sexual Shakespearean Shelley Shelley's song sonnet soul speaker Spenser Spenserian St Agnes stanza twenty-four sublime suggests sweet symbol tradition truth Univ University Press urn's verse vision visual voice wild words Wordsworth writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |