John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 130
This provides Keats with the narrative friction that generates the poem . 4 But
around this friction of plotting may be discerned several other frictions : the friction
of gender - male / female desires ; the friction of narration — the production and ...
This provides Keats with the narrative friction that generates the poem . 4 But
around this friction of plotting may be discerned several other frictions : the friction
of gender - male / female desires ; the friction of narration — the production and ...
Página 131
de this In ' The Eve of St Agnes ' the narrative is impelled by vision : looking both
organizes the plot and figures the reading . At the same time , looking produces a
resistance to narration as the characters and narrator attempt to fix the look and ...
de this In ' The Eve of St Agnes ' the narrative is impelled by vision : looking both
organizes the plot and figures the reading . At the same time , looking produces a
resistance to narration as the characters and narrator attempt to fix the look and ...
Página 135
The point of the narrative is the descriptive . 15 It seems , further , that the position
of the reader or critic in relation to the poem is inevitably a double of Porphyro ' s
position in relation to Madeline , and this duplicity is redoubled in the text ' s ...
The point of the narrative is the descriptive . 15 It seems , further , that the position
of the reader or critic in relation to the poem is inevitably a double of Porphyro ' s
position in relation to Madeline , and this duplicity is redoubled in the text ' s ...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |