John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 99
The double - distance Keats gains on Milton by composing ' The Fall ' suggests
that the assimilation of the authorizing Original is , in ' Hyperion ' , exemplary . So
good is the translation that Keats forfeits the representational salient of the act ...
The double - distance Keats gains on Milton by composing ' The Fall ' suggests
that the assimilation of the authorizing Original is , in ' Hyperion ' , exemplary . So
good is the translation that Keats forfeits the representational salient of the act ...
Página 103
In effect , he separates authority ( Hyperion ) from legitimacy ( Apollo ) , giving the
latter a bad — or rather , ce by mam ' bad - name . antide A narrative departure of
this kind and magnitude must illuminate the father - son , Original - original ...
In effect , he separates authority ( Hyperion ) from legitimacy ( Apollo ) , giving the
latter a bad — or rather , ce by mam ' bad - name . antide A narrative departure of
this kind and magnitude must illuminate the father - son , Original - original ...
Página 112
By the Keats - Apollo superposition , we infer that a liegeless air cannot satisfy a
creature who is nothing without the liege - vassal , Original - original , Good - bad
ratios . Keats must find his freedom in contradiction and constraint . Apollo ' s ...
By the Keats - Apollo superposition , we infer that a liegeless air cannot satisfy a
creature who is nothing without the liege - vassal , Original - original , Good - bad
ratios . Keats must find his freedom in contradiction and constraint . Apollo ' s ...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |