John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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That Keats , in his handful of great poems , surpassed the Miltonhaunted poets of
the second half of the eighteenth century is ... Wordsworth and Shelley , and
indeed to most if not all poetry in the language since the mid - seventeenth
century .
That Keats , in his handful of great poems , surpassed the Miltonhaunted poets of
the second half of the eighteenth century is ... Wordsworth and Shelley , and
indeed to most if not all poetry in the language since the mid - seventeenth
century .
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The restoration of the forgotten Psyche is the real subject of the poet ' s endeavor
, and two forms of re - creation are ... in a world accessible by dream or vision
when the conscious mind is suppressed , a world exterior to the poetic self .
The restoration of the forgotten Psyche is the real subject of the poet ' s endeavor
, and two forms of re - creation are ... in a world accessible by dream or vision
when the conscious mind is suppressed , a world exterior to the poetic self .
Página 120
The special inferiority which Moneta ascribes - honorifically — to the poet is a
function of his alienation : from his audience , his precursors , and his fantasies .
Not so ironically ( since irony is the rhetorical norm of this poem ) , the dramatic ...
The special inferiority which Moneta ascribes - honorifically — to the poet is a
function of his alienation : from his audience , his precursors , and his fantasies .
Not so ironically ( since irony is the rhetorical norm of this poem ) , the dramatic ...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |