John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 135
But this vertiginous series of embedded looks is disrupted by the reader ' s ability
to ' gaze ' directly at Madeline , while at the same time the vicissitudes of the
visual / visionary delineated throughout the poem are also short - circuited by the
...
But this vertiginous series of embedded looks is disrupted by the reader ' s ability
to ' gaze ' directly at Madeline , while at the same time the vicissitudes of the
visual / visionary delineated throughout the poem are also short - circuited by the
...
Página 136
In the early stanzas , narrative is overwhelmingly subsumed under the visual and
under the descriptive possibilities of scenic plotting . But the teleological
inspiration of the poem ' s looking and description in these stanzas — as if Keats
is ...
In the early stanzas , narrative is overwhelmingly subsumed under the visual and
under the descriptive possibilities of scenic plotting . But the teleological
inspiration of the poem ' s looking and description in these stanzas — as if Keats
is ...
Página 138
Stanza twenty - four provides the reader with a verbal analogue of the visual by
the elaborate way in which its language imitates the baroque elaborations of
visual detail in the casement . At the same time , the stanza remarks upon its own
...
Stanza twenty - four provides the reader with a verbal analogue of the visual by
the elaborate way in which its language imitates the baroque elaborations of
visual detail in the casement . At the same time , the stanza remarks upon its own
...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |