Gothick Origins and InnovationsAllan Lloyd Smith, Victor Sage Rodopi, 1994 - 234 páginas Gothic: Origins and Innovations brings together nineteen papers from an international group of scholars currently researching in the field of the Gothic which take a fresh, contemporary look at the tradition from its eighteenth-century inception to the twentieth century. Topics and authors include the current usage and definition of the term 'Gothic'; the eighteenth-century rise of the genre; the Sublime; Victorian sensation fiction, and authors such as Coleridge, Mary Shelly, Maturin, LeFanu, Washington Irving, Robert Louis Stevenson, Bram Stoker, John Neale, Jack London, Herman Melville, Dickens, Henry James and the movie version of his Turn of the Screw, The Innocents. This wide-ranging set of discussions brings to the subject a new set of perspectives, revising standard accounts of the origins of the genre and extending the historical and cultural contexts into which traditional literary history has tended to confine the subject. Framed by a lively and challenging introduction, the collection brings to bear a full range of contemporary critical instruments, approaches, and interdisciplinary languages, ranging from the new vocabularies of the socio-cultural to the latest debates in the psychoanalytic field. It provides a stimulating introduction to recent thinking about the Gothic. |
Contenido
Tom Jones Jacobitism and the Rise of Gothic | 16 |
Jerrold E Hogle | 31 |
Maturin and the Calvinist Sublime Richard Haslam | 44 |
Frankenstein and the 1832 Anatomy Act Tim Marshall | 57 |
79 | 95 |
Gothic Possibilities in MobyDick | 115 |
Otras ediciones - Ver todas
GothicK: Origins and Innovations: Papers from the International Gothic ... Vista previa limitada - 2022 |
Términos y frases comunes
aesthetic American Gothic becomes Calvinist sublime Castle of Otranto century character Charles Brockden Brown Christabel counterfeit critics cultural Dame Van Winkle dead death displaced Dracula dream edition English essay fantastic Fanu Fanu's father fear female figure film Frankenstein Freud genre ghosts gothic fiction gothic novel Hamlet haunted heroine horror Hyde identity Irving Irving's Jacobite Jekyll Jekyll's Jewel of Seven John Neal Judith literary Literature London male Maturin Maud Melmoth Melmoth the Wanderer Miss Giddons Moby-Dick mother murder mysterious narrative narrator nature novella Oedipal origin Oxford passions political protagonist psychological reader reading repressed Rip Van Winkle Rip's Romance scene Sea-Wolf secret seems sense Seven Stars sexual Sheridan Le Fanu social Stoker's story structure suggests supernatural symbolic tale terror tion uncanny Uncle Silas unconscious University Press Utterson Victorian Walpole Walpole's Washington Irving woman women word York